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15" Lord Bhumisparsha Buddha Copper Statue | Copper with Gold Plated

$1959.75
$2613
25% off
Includes any tariffs and taxes
Only 1 available

Lord Bhumisparsha Buddha is often portrayed in the 'earth witness' mudra, more commonly known as 'touching the earth.' This mudra is represented by extending all five fingers of the right hand to make contact with the ground, symbolizing the moment of the Buddha's enlightenment beneath the bodhi tree.

 

His left-hand rests calmly and flat in the lap, assuming the meditation mudra known as dhyana mudra holding an alms bowl. Bhumisparsha Buddha is attired in a humble monk's robe, which partially covers his left arm. His hair is shown in tightly coiled curls, and his earlobes are elongated distinctively.

Specifications
MIS754
COPPER WITH GOLD PLATED
Height: 15 inch
Width: 12 inch
Depth: 8.5 inch
Weight 5.20 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Gesture of Awakening

This magnificent statue captures the profound moment of the Buddha's enlightenment, a pivotal event in Buddhist history. The figure depicts Siddhartha Gautama, after years of asceticism, seated in meditation beneath the Bodhi tree. As he was about to attain ultimate understanding, Mara, the demon king representing temptation and illusion, sent his armies to disrupt his path. Mara tempted the Buddha with worldly pleasures and threatened him with his forces. In response, the Buddha remained steadfast, and with a calm and resolute gesture, touched the Earth with his right hand, calling upon the Earth itself to bear witness to his spiritual victory. This act signifies his overcoming of all obstacles and his attainment of supreme enlightenment.

Symbolism and Craftsmanship

The "Bhumisparsha" mudra, meaning "earth-touching gesture," is powerfully conveyed in this exquisite copper statue, lavishly adorned with gold plating. The Buddha's right hand rests gently on his right knee, with the fingertips pointing downwards towards the earth. This mudra is a potent symbol of unwavering determination, grounding, and the triumph of wisdom over ignorance. The serene expression on the Buddha's face, with downcast eyes and a gentle smile, speaks of profound inner peace and compassion. The intricate detailing on the robe, rendered with delicate patterns, showcases the artisan's skill and dedication. The lustrous gold plating enhances the statue's sacred aura, reflecting light and bestowing a sense of divine presence. The lotus pedestal upon which the Buddha sits is a classical symbol of purity and spiritual awakening, its petals unfolding towards the heavens.

A Sacred Icon

Originating from Nepal, a land deeply intertwined with the origins of Buddhism, this statue is a testament to centuries of artistic and spiritual tradition. Nepalese art is renowned for its vibrant colors, meticulous craftsmanship, and deep spiritual resonance. This Bhumisparsha Buddha is not merely a decorative object; it is an invocation, a focal point for meditation and devotion. It serves as a constant reminder of the Buddha's teachings and the potential for enlightenment that lies within every being. The presence of such a statue in a home or sanctuary can foster an atmosphere of tranquility, mindfulness, and spiritual aspiration, inviting practitioners to connect with the path of awakening. This piece embodies the very essence of Buddhist philosophy, a tangible representation of overcoming suffering and attaining ultimate liberation.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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