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15" Manjushri Copper Figurine - Buddha of Infinite Wisdom

$928.50
$1238
25% off
Includes any tariffs and taxes

Manjushri, revered as the Buddha of Infinite Wisdom, is a prominent figure in Mahayana Buddhism symbolizing transcendent intelligence and enlightened knowledge. Visualize Manjushri as a radiant and compassionate bodhisattva, wielding the sword of wisdom that cuts through ignorance and illuminates the path to enlightenment.


Manjushri seated in a posture of grace and poise, holding the Prajnaparamita scripture, representing the perfection of wisdom. His teachings emphasize the transformative power of understanding and insight, guiding practitioners on the journey to awakening.


As you meditate on Manjushri, feel the brilliance of his wisdom illuminating your mind and dispelling the darkness of ignorance. Embrace the essence of Manjushri's teachings, seeking clarity and understanding on your spiritual path.

Specifications
MIW035
Copper Gilded with Gold
Height: 15 inch
Width: 11 inch
Depth: 6 inch
Weight 3.60 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodying Pure Wisdom: A Reverent Depiction of Manjushri

This exquisite 15-inch figurine captures the radiant presence of Manjushri, the Bodhisattva of Wisdom, a pivotal figure in Mahayana Buddhism. Crafted from copper and meticulously gilded with gold, this masterpiece radiates an aura of divine enlightenment and profound serenity. Manjushri, often depicted as a youthful prince, symbolizes the sharp discernment that cuts through ignorance and illusion, illuminating the path to ultimate understanding. His name itself, derived from Sanskrit, signifies "One who has attained Wisdom." In Buddhist lore, Manjushri is revered as the embodiment of all knowledge and the patron of scholars. It is said that reciting his mantra, "Om Ah Ra Pa Tsa Na Dhih," can bestow intellectual prowess, clarity of thought, and the ability to comprehend profound spiritual truths. He is often portrayed with a flaming sword in his right hand, symbolizing the power of wisdom to sever the roots of ignorance, and a scroll or lotus flower in his left, representing the perfection of wisdom. This statue beautifully articulates these iconic attributes, presenting a vision of active, dynamic compassion rooted in profound insight.

Artistry and Symbolism in Every Detail

The craftsmanship of this figurine is a testament to the rich artistic traditions of Nepal. The golden sheen of the gilded copper catches the light, highlighting the intricate details of Manjushri's adornments. His serene countenance, with half-closed eyes and a gentle smile, invites contemplation and reverence. The elaborate crown, adorned with precious blue and red stones, signifies his royal status as a prince of the Dharma. The flowing robes, rendered in a rich, deep red, evoke the monastic traditions and the vibrant energy of spiritual practice. Observe the delicate musculature of his arms and the precise rendering of his fingers, poised in gestures of blessing and teaching. The lotus flower held in his left hand is a powerful symbol of purity, representing the blossoming of enlightenment from the muddy waters of worldly existence. The flame-like motif adorning the tip of his sword conveys the transformative power of wisdom, capable of burning away all obstacles on the spiritual path. The ornate base, decorated with traditional motifs, further enhances the sacred aura of this divine representation. This statue serves not only as a beautiful object of devotion but also as a constant reminder of the pursuit of wisdom and the eradication of ignorance in our own lives.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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