18" Maha Vajrasattva Copper Idol from Nepal

•

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

18" Maha Vajrasattva Copper Idol from Nepal

Email

Whatsapp

Facebook

Pinterest

Twitter

Copy link

$7692

$10,256

25% off

Includes any tariffs and taxes

Only 1 available

A museum-quality gilded copper Maha Vajrasattva from Nepal, this statue is the visualization of the powers of Vajrasattva, hearing whose name is enough to end all the negativity and darkness of life. Carrying an exquisite serenity on his face, Vajarsattva in this Nepalese statue is eight-armed, holding the bell and Vajra in his main hands, whose union symbolizes the coming together of compassion (female) and wisdom (male). Armed with various divine weapons and exuding sanctity Vajrasattva in this cosmic form removes fear and ignorance from the heart of a devotee.

Notify me when this item is available

Specifications

	MIV538
	Copper
	Height: 16 inch
	Width: 13.5 inch
	Depth: 10 inch
	Weight 9.80 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

Embodiment of Pure Wisdom and Unshakeable Bodhisattva Path

This exquisite 18-inch Maha Vajrasattva statue, meticulously crafted in Nepal, embodies the profound essence of one of Buddhism's most revered figures. Maha Vajrasattva, often hailed as the "Adamantine Being," represents the highest form of purity, the ultimate purification of karmic obscurations, and the unwavering commitment to the Bodhisattva path. His image is a powerful reminder of the inherent Buddha-nature within all beings and the possibility of achieving enlightenment through dedicated practice.

A Testament to Nepalese Artistic Heritage

Cast from high-quality copper, this statue showcases the exceptional skill and spiritual devotion of Nepalese artisans. The rich patina and intricate detailing speak to generations of mastery in the art of Buddhist iconography. Maha Vajrasattva is depicted in his iconic seated posture, the lotus position, a symbol of purity and spiritual ascent, seated upon a tiered lotus throne, which signifies his transcended state. His serene expression, downcast eyes, and calm demeanor radiate a profound sense of peace and compassion, inviting contemplation and inner reflection.

Symbolism and Iconography

Maha Vajrasattva is typically depicted with multiple arms, each holding symbolic implements that convey his spiritual power and teachings. In this magnificent representation, his multiple hands hold various sacred objects. His principal hands are held close to his heart, often cradling a vajra (thunderbolt scepter) and a ghanta (bell), symbolizing the union of wisdom and compassion, the indestructibility of the enlightened mind, and the resounding call to awaken. Other hands might hold a lasso, signifying the capture of negative emotions, or a jewel, representing the fulfillment of wishes and the purity of intention. The elaborate crown and adornments signify his enlightened status and regal presence within the celestial realms.

Invoking Purity and Transformation

The practice associated with Maha Vajrasattva is renowned for its power to purify negative karma and overcome mental afflictions. Devotees often chant his mantra, "Om Vajrasattva Hum," as a means to cleanse the mind and cultivate spiritual purity. This statue serves as a focal point for such practices, bringing the potent energy of Maha Vajrasattva into your sacred space. It is believed that by meditating upon this form, practitioners can receive blessings and guidance on their journey toward spiritual realization, mirroring the path of the great Bodhisattva himself. This statue is more than just an object of art; it is a conduit for spiritual connection and a constant inspiration to cultivate the qualities of purity, wisdom, and compassion that Maha Vajrasattva so perfectly embodies.

Cultural Significance and Spiritual Resonance

In Tibetan Buddhism, Maha Vajrasattva is considered a primordial Buddha, the source from which all other Buddhas and Bodhisattvas emanate. Tales abound of his enlightenment and his vow to purify the minds of all sentient beings. He is often depicted in mandalas, the intricate cosmic diagrams that map the enlightened universe, further emphasizing his central role in the spiritual landscape. The worship of Maha Vajrasattva dates back to ancient times, with the Vajrayana tradition placing particular emphasis on his practices for purification and initiation. This copper idol, originating from the sacred soil of Nepal, a land steeped in Buddhist history and tradition, carries with it the blessings and spiritual vibrations of this profound lineage. Its presence is a powerful reminder of the enduring quest for enlightenment and the timeless wisdom preserved in the heart of the Himalayas.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.