Capturing the most elegant, sinuous, and beautifully poised image of Parvati – this bronze sculpture is a true embodiment of aesthetic genius and religious iconic conventions of Hinduism. The tall and majestic form of Sivagami, or Shiva’s companion, is postured deep in thought in the ‘abhanga’ style. In this ‘panchaloha’ image, the ‘sthapati’ or artisan has creatively presented the love, devotion, and nurturing behaviour of the mother goddess in a subtle, simple, and refined manner.
As the nourishing Parashakti, Parvati is humbly placed on the raised double lotus pedestal, with her right hand in the ‘katakamukha’ gesture which denotes holding a lotus, and her left hand hangs pendent. Her curvaceous form, accentuated with voluptuous breasts, are iconic of the Chola idiom of bronze casting in the ‘madhuchista vidhana’ manner. There is a graceful sense of fluidity and continuity when we notice the manner in which Sivagami’s hands and body bend, further complimenting the ‘sthapati’s’ craft. Her diaphanous lower garment is minutely detailed with motifs and designs, befitting her graceful and divine presence. The several girdles and bands that are draped around her waist complement her many jewelleries, and the standing sculpture is topped with an elaborate ‘mukuta.’
These types of bronze sculptural images historically were the mobile forms of gods and goddess that were displayed during processions and festivals outside the temple, allowing for the devout’s ‘darshan,’ and therefore make for excellent acquisitions today.
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