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19" Mangolian Tara From Nepal

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Name: 19" Mangolian Tara From Nepal
Brand: Exotic India
SKU: CAA089
Price: 4720.00 USD
Availability: InStock

$4425

$5900

25% off

Includes any tariffs and taxes

Only 1 available

Infused with the balance of voluptuousness and suppleness of Mongolian artworks, this gilded copper Green Tara from Nepal is an example of Buddhism’s journey across the Asian continent. The mediative eyes of Tara found in Nepalese sculptures, are more active and open in this Mongolian version, giving the icon an energetic appearance. The curve of the lotus stalk in the goddess’s hands and her diaphanous attire is more well-defined and so are her delicate fingers, surpassing the gentleness of the flowers.

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Specifications

	CAA089
	Copper With Gold
	Height: 19 inch
	Width: 12 inch
	Depth: 10 inch
	Weight 7.90 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

A Vision of Compassion: The Golden Tara of Nepal

Behold a masterpiece of Nepalese artistry, a breathtaking statue of the revered Goddess Tara, rendered in radiant copper with a lustrous gold finish. This commanding piece, standing at a dignified 19 inches, captures the divine essence of Tara, the female bodhisattva of compassion and action, a vital figure in Tibetan Buddhism. Her serene countenance, with eyes that seem to hold the wisdom of ages and lips curved in a gentle smile, emanates peace and reassurance. Adorned in exquisite, intricately detailed jewelry and a magnificent crown, she embodies both earthly beauty and celestial grace.

The Many Forms of Tara

Tara, known as the "Mother of Liberation," is a beloved deity whose story is woven into the very fabric of Mahayana Buddhism. Legend tells of her birth from a lotus flower blooming from the tear of Avalokiteshvara, the Bodhisattva of Compassion, shed out of sorrow for the suffering of the world. Moved by his empathy, Tara vowed to achieve Buddhahood in the female form, demonstrating that enlightenment is attainable regardless of gender. She manifests in numerous forms, each with unique attributes and powers. This particular representation, with its seated posture and serene gaze, suggests the Green Tara, who is associated with swift action, protection, and the dispelling of fear and obstacles. The delicate lotus flowers cradled in her hands, a symbol of purity and spiritual awakening, further amplify her divine presence.

Craftsmanship and Spiritual Significance

This statue is more than just an object of beauty; it is a conduit for spiritual devotion and a testament to the profound skill of Nepalese artisans. The choice of copper as the base material, known for its conductivity and longevity, combined with the rich gold plating, imbues the sculpture with a sacred aura, reflecting the brilliance and purity of the divine. The meticulous detailing, from the flowing robes and ornate headdress to the subtle musculature of her form and the delicate jewelry adorning her, speaks volumes about the dedication and spiritual understanding of the craftspeople who brought this vision to life. Such works are traditionally created in monasteries and workshops where artisans are trained in sacred iconography, ensuring that each piece is not only aesthetically pleasing but also spiritually accurate and potent. Possessing such a statue is believed to invite blessings, protection, and a deeper connection to the compassionate energy of Tara into one's life and home. It serves as a constant reminder to cultivate kindness, courage, and mindfulness in the face of life's challenges.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.