27'' Four Hand Chenrezig in Meditation | Copper Statue from Nepal

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27'' Four Hand Chenrezig in Meditation | Copper Statue from Nepal

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$4851.75

$6469

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The four-armed Nepalese copper statue here belongs to Chenrezig or Bodhisattva Avalokiteshvara, sitting in a deep meditative state whose unparalleled bliss is masterfully presented by the sculptor. The lotus platform on which Chenrezig sits represents the blossoming of inner spiritual wisdom, his crown signifies the combined powers of Pancha Buddha, and the gem between his joined hands is Chintamani or the wish-fulfilling jewel. In this statue packed with spiritual meanings, Chenrezig is adorned with the attributes of Avalokiteshvara, including the gazelle skin on the shoulder.

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Specifications

	MIW549
	Copper
	Height: 27 inch
	Width: 19.5 inch
	Depth: 14 inch
	Weight 21.80 kg

Delivery and Return Policies

	Ships in 1-3 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

Embodying Boundless Compassion

This exquisite statue captures the essence of Chenrezig, the Bodhisattva of Compassion, a figure revered in Tibetan Buddhism for his profound empathy and his vow to liberate all sentient beings from suffering. The deity's form, rendered in lustrous copper, emanates a serene power, inviting contemplation and spiritual solace. Chenrezig, also known as Avalokiteśvara, is a central figure in Mahayana Buddhism, representing the ultimate expression of love and kindness towards all living things. Legend has it that his compassion was so immense that when he looked upon the world, tears of sorrow welled from his eyes, and from these tears sprang Tara, the "mother of liberation."

A Vision of Serenity and Wisdom

The figure is depicted in a meditative posture, seated upon a richly adorned lotus throne. The lotus, a symbol of purity and spiritual awakening, signifies that even amidst the defilements of the world, one can achieve enlightenment. Chenrezig is shown with four arms, each holding a symbolic attribute. The primary two hands are pressed together in a gesture of prayer and reverence, representing the union of wisdom and compassion. The upper right hand holds a mala, or prayer beads, signifying the continuous cycle of recitation and mindful practice. The upper left hand cradles a lotus flower, a testament to purity and the potential for enlightenment that blossoms within all beings. The intricate detailing of the crown, the flowing robes, and the serene expression on the deity's face are a testament to the masterful craftsmanship of Nepalese artisans, who have preserved these sacred artistic traditions for generations.

Crafted with Devotion in the Himalayas

Originating from Nepal, the spiritual heartland of the Himalayas, this statue is more than just a beautiful object; it is a conduit for devotion and a reminder of the boundless compassion that resides within us all. The use of copper, a sacred metal in many traditions, adds to the statue's spiritual resonance. Each element, from the serene gaze to the meticulously crafted gestures, is designed to evoke a sense of peace and to encourage the practitioner to cultivate their own inner capacity for compassion. This remarkable piece serves as a powerful focal point for meditation, prayer, or simply as an inspiring presence in any home or sacred space, bringing the benevolent energy of Chenrezig into your life. It stands as a tangible link to ancient spiritual wisdom and the enduring power of a compassionate heart.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.