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27" Green Tara From Nepal

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$4950

$6600

25% off

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Sculpted in a rounded manner, this Nepalese gilded copper statue of goddess Green Tara presents the female energy of Bodhisattva Avalokiteshvara in a majestic and motherly mood. Placed on a lotus seat, Green Tara is in her venerable two-armed form, adorned like a glorious queen, lithesome and glowing. The delicate dhoti and brocaded scarf are delineated perfectly in this copper statue, highlighting the soft folds and flows of the garments. Tara’s countenance has a sublime look, enhancing the calming aura of the statue.

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Specifications

	CAA057
	Copper With Gold
	Height: 23 inch
	Width: 16 inch
	Depth: 10 inch
	Weight 25 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

The Radiant Form of Green Tara

This exquisite statue depicts Green Tara, a prominent bodhisattva in Mahayana Buddhism, revered for her compassion and swift action in alleviating suffering. Originating from the heart of Nepal, this masterful creation is wrought from robust copper and adorned with a rich gold finish, imbuing it with an aura of divine luminescence and enduring spiritual significance. The intricate detailing and the majestic presence of this deity speak to the profound artistic heritage and deep devotional practices of Nepalese artisans.

A Deity of Compassion and Action

Green Tara is often depicted as youthful, energetic, and ever-ready to respond to prayers. In Buddhist mythology, she is said to have sprung from a tear shed by the bodhisattva Avalokiteshvara, a tear that fell to the earth and bloomed into a lotus. From this lotus emerged Tara, a radiant female bodhisattva embodying active compassion. She is known by many names, including the "Mother of all Buddhas" and the "Swift One," for her ability to quickly deliver followers from fear, danger, and obstacles. Her green hue symbolizes her activeness and flourishing nature, representing the dynamic aspect of enlightened activity.

Iconographic Symbolism and Artistic Mastery

This statue captures Green Tara in her characteristic seated posture, with her right leg extended and her left leg folded in meditation. This pose signifies her readiness to descend and help those in need, while also maintaining a state of serene contemplation. Her left hand is raised, holding the stem of a lotus flower, a symbol of purity and enlightenment. Her right hand rests on her knee, palm facing outwards in the *varada mudra*, the gesture of bestowing blessings and boons. The ornate crown and the elaborate jewelry she wears signify her divine status as a celestial being. The intricate sculpting of her features, the flowing drapery, and the majestic lotus pedestal all contribute to the profound spiritual resonance of this artwork. The dual application of copper and gold is not merely decorative; it enhances the symbolic representation of purity, wealth, and spiritual attainment. The serene yet determined expression on her face invites contemplation and devotion, offering a tangible connection to the boundless compassion she embodies.

A Legacy of Craftsmanship from Nepal

Crafted in Nepal, a land steeped in Buddhist tradition and renowned for its skilled artisans, this statue is a testament to centuries of accumulated knowledge and spiritual dedication. The meticulous attention to detail, from the delicate rendering of her facial features to the elaborate patterns adorning her garments, reflects a deep understanding of Buddhist iconography and a commitment to creating works of spiritual import. Such statues are not merely decorative objects; they serve as focal points for meditation, inspiration, and the cultivation of inner peace, bringing the divine presence into the devotee's space. This particular piece, with its substantial size and the richness of its materials, is a commanding presence, capable of transforming any environment into a sanctuary of spiritual reflection and serene contemplation.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.