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MADE IN INDIA.

7" Brass Goddess Saraswati Idol Wearing a Sari and Seated on Swan | Handmade | Made in India

$125.25
$167
25% off
Includes any tariffs and taxes

The beautiful bird-Hamsa (swan) is associated with the great-goddess Saraswati in Hindu tradition, as her mount, or Vahana, is a symbol of the virtues that the Devi bestows on her devotees. A Hamsa is legendarily known to have the ability to separate milk from water (neer-ksheer-viveka), representing the wisdom that can segregate between truth and untruth. This brass statue represents the powers of Devi Saraswati, who appears as Hamsavahini, enthroned on a lovely swan, whose form is marvelously depicted in this metal sculpture. Maa Saraswati is four-armed and is wrapped in a delicate saree, with a halo around her countenance, amplifying the glory of this aspect of the goddess.

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Specifications
XO60
Brass Sculpture
Height: 7 inch
Width: 6 inch
Depth: 4 inch
Weight 1.78 kg
Delivery and Return Policies
Usually ships in 10 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Embodiment of Knowledge and Art

This exquisite brass idol captures the serene presence of Goddess Saraswati, the Hindu deity revered as the personification of knowledge, music, arts, wisdom, and learning. She is depicted in her classic form, adorned in a gracefully draped sari, exuding an aura of divine elegance and tranquility. Her hands are shown in the act of playing the Veena, her celestial musical instrument, symbolizing the harmonious flow of creativity and intellect.

A Symbol of Purity and Grace

Seated upon her vahana, the majestic swan, this sculpture embodies the goddess's association with purity, grace, and discrimination. The swan, known for its ability to separate milk from water, symbolizes Saraswati's discernment and her ability to distinguish truth from falsehood. The intricate detailing of the sari and the delicate features of the goddess speak to the skilled craftsmanship that has brought this divine image to life. Each curve and contour of the brass has been meticulously shaped by hand in India, preserving age-old artistic traditions.

Whispers of Mythology and Tradition

In Hindu mythology, Saraswati is often depicted with four arms, each representing different aspects of her domain: the mind, intellect, speech, and consciousness. She is the daughter of Lord Brahma, the creator, and is believed to have gifted humanity with the Vedas and the art of writing. It is said that on the occasion of Vasant Panchami, a festival dedicated to her, students and artists seek her blessings for inspiration and success. This idol, with its detailed representation, serves as a beautiful conduit to connect with these ancient traditions and invoke her divine blessings. The craftsmanship of this piece is a testament to the rich cultural heritage of India. The use of brass, a metal believed to possess purifying qualities, adds a spiritual dimension to the sculpture. This idol is more than just a decorative item; it is a sacred representation, intended to inspire contemplation, creativity, and the pursuit of knowledge in any space it graces. It is a perfect addition for altars, meditation spaces, studies, or as a thoughtful gift for anyone who cherishes the arts and sciences.

Unveiling the Wisdom and Creativity of Saraswati: A Deeper Understanding

Mother Saraswati is one of the three principal Goddesses in Hinduism who are known as “Tridevi”; the other two being Lakshmi and Parvati. In the Vedic scriptures, she is mentioned as the consort of Lord Brahma, the creator of the material world, and thus assists him in his activities. She is often depicted as having a beautiful youthful body with four arms holding a book (represents the Vedas), a rosary (signifying the importance of chanting the holy names of the Supreme Lord Vishnu), a water pot, and a musical instrument called Veena. She sits on a white swan that symbolizes the capacity to discriminate between good and evil.

She is worshiped by many people across the globe in different forms. She is the Goddess of knowledge, art, music, speech, and learning. People in parts of India celebrate Saraswati Puja in the month of spring in which the elders of the family begin the day by taking the blessings of Mother Saraswati and then teach their children to read and write the letters of the alphabet.
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Can Saraswati idol be kept at home?

Goddess Saraswati is the manifestation or expansion of Goddess Lakshmi or Srimati Radharani, the eternal consort of the Supreme Lord. She is very merciful toward all living entities and blesses them with whatever material desires they have. But if one sincerely and genuinely approaches her and serves her to know about the Absolute Truth and the real aim of human life, she bestows all good fortune upon them and inspires them to walk the path toward the Supreme. Thus, if you want to please Mother Saraswati through your selfless service, you can keep her deity at home and worship her with faith and devotion.
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Where should we keep a Saraswati idol at home?

Knowing that Goddess Saraswati is worthy of our respectful obeisance at her lotus feet is important. If you have a deity of Mother Saraswati at home or are planning to buy one, the best place to keep it is the altar. She should be worshiped with the right attitude and mindset. However, if you want to keep the deity in your living room for spiritualizing the space, you should keep it on a clean surface.
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What is the benefit of keeping a Saraswati idol?

Keeping and worshiping the deity of Goddess Saraswati at your home will be highly beneficial for the whole family. As she is the bestower of knowledge, she can bless you with a good memory, intelligence, and artistic skills. If you worship her with full faith and surrender, she will guide you to the path of the Absolute Truth, the way back home, back to Godhead. This is the ultimate fruit of worshiping her.
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