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9" Brass Guru Padmasambhava Brass Sculpture from Nepal

$483
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Padmasambhava- “he who is born from the lotus (a symbol of pure wisdom)” is the supreme teacher in Tibetan Buddhism, revered for having established the first Buddhist monastic structure in the region and bringing Tantric rituals and the practice of Yoga to the land. In his artistic depictions, Guru Padmasambhava is seen wearing the heavy garbs of the people of the hilly region, with a distinctive cap, whose tassels flow upward to mark the winter winds Padmasambhava braved in bringing the faith to the people of Tibet.

This brass statue from Nepal represents the great master on a lotus (Padma), sitting relaxedly, wearing his characteristic attire and shoes and ornate earrings. The curving brows of Padmasambhava suggest an active and powerful presence, while his face carries a serene stillness.

 

In his hands, Padmasambhava holds the staff or Khatvanga with severed heads showing different stages of the human body, from life, and death to absolute decay, highlighting the ignorance of the human mind toward impermanence and simultaneously severing it. The Vajra or thunderbolt in Padmasambhava’s hand symbolizes enlightenment’s full force, and the pot of ambrosia in his hand represents eternity and eternal life of pure wisdom, which the master bestows on his students.

Specifications
MIT177
Brass
Height: 9 inch
Width: 5.5 inch
Depth: 4.5 inch
Weight 1.20 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Precious Guru: A Glimpse of Padmasambhava

This exquisite brass sculpture captures the revered figure of Guru Padmasambhava, the "Lotus-Born," a central deity in Tibetan Buddhism. Crafted with meticulous detail in Nepal, this artwork embodies the profound spiritual heritage and artistic mastery of the region. The warm, aged patina of the brass lends an aura of antiquity and sacredness, inviting contemplation and devotion. Padmasambhava, also known as Guru Rinpoche, is credited with bringing Buddhism to Tibet in the 8th century. Legend tells of his miraculous birth from a lotus flower in the Dhanakosha Lake, a testament to his divine nature.

Symbolism and Iconography

The sculpture depicts Padmasambhava seated in a posture of serene meditation atop an ornate lotus throne, symbolizing purity and enlightenment. His regal attire, complete with a distinctive crown, signifies his royal lineage and his role as a supreme spiritual teacher. In his right hand, he holds a vajra, the thunderbolt scepter, representing indestructibility and the power to overcome obstacles. His left hand rests in his lap, holding a skull-cup filled with nectar of long life, or possibly amrita, symbolizing the attainment of immortality and wisdom. The ritual staff, or khadga, held upright beside him, is adorned with symbolic elements, often including severed heads, representing his mastery over demonic forces and negative energies that impede spiritual progress. His serene expression and half-closed eyes convey a deep sense of inner peace and profound insight.

A Legacy of Wisdom and Power

Guru Padmasambhava is venerated for his tantric teachings and his role in subduing local deities and spirits, paving the way for the establishment of Buddhism in Tibet. He is considered an emanation of the Buddha Amitabha and is said to possess the eight great siddhi powers. His teachings and terma (hidden treasures) continue to inspire countless practitioners, offering a path to liberation and enlightenment. This sculpture serves as a powerful reminder of his enduring legacy, a tangible connection to the spiritual traditions that have shaped the Himalayan region for centuries. Its presence can bring a sense of peace, protection, and spiritual guidance to any space, fostering an environment conducive to meditation and introspection.
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