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9" Buddhist Deity Green Tara Copper Statue from Nepal

$576.75
$769
25% off
Includes any tariffs and taxes
Only 1 available

The carving is embedded with intricate precision, and every detail adorning this copper statue showcases the rich artistry that breathes life into Green Tara’s true form. In her delicate hands, Green Tara holds the Utpala, a captivating blue lotus symbolizing purity and the journey toward enlightenment. Her right hand, gracefully posed in the varada mudra, embodies the granting of heartfelt wishes, while her left hand, in the abhaya mudra, offers unwavering refuge and protection to those who seek solace. Her serene visage, etched with grace and serenity, emanates a sense of timeless wisdom and compassion, affirming her role as a steadfast companion on the path to enlightenment. 

Specifications
CAA045
Copper
Height: 9 inch
Width: 6 inch
Depth: 5 inch
Weight 2.10 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Resplendent Emerald Goddess of Compassion

Gaze upon this exquisite copper statue, a masterful portrayal of Green Tara, the embodiment of enlightened action and compassionate activity in Tibetan Buddhism. From the heart of Nepal, this artistry speaks of centuries-old traditions and deep spiritual devotion. Green Tara is revered as a goddess who swiftly liberates beings from fear and suffering, her emerald hue symbolizing her vibrant energy and her ability to manifest in the world to aid those in need. Her presence is often associated with nature, abundance, and the promise of renewal.

A Tapestry of Sacred Symbolism

The posture of Green Tara in this sculpture is deeply symbolic. She is seated in the *vajra* posture, her left leg drawn in and her right leg extended downwards, resting on a lotus. This signifies her readiness to arise and act, her ability to move between the realms of existence. Her right hand, in the *varada mudra*, is extended palm outwards, bestowing blessings and granting wishes, while her left hand, in the *vitarka mudra*, holds the stem of a lotus flower that blooms beside her. This lotus represents purity, enlightenment, and the unfolding of wisdom, a reminder that even amidst the mud of worldly existence, beauty and spiritual growth can flourish. Her serene countenance, adorned with elaborate jewelry and a crown, reflects her divine status and her profound inner peace.

Echoes of Ancient Lore

In Buddhist lore, Green Tara is said to have emerged from a tear shed by Avalokiteshvara, the bodhisattva of compassion, as he gazed upon the suffering of the world. Her compassionate heart and swift action are a testament to this origin. She is often invoked for protection, healing, and the overcoming of obstacles. The myth of her birth from a lotus flower further connects her to purity and spiritual awakening. This statue captures the essence of that divine intervention, a tangible representation of hope and solace for practitioners.

A Masterpiece of Nepalese Craftsmanship

Crafted from high-quality copper, this statue showcases the remarkable skill of Nepalese artisans. The meticulous detailing in every aspect, from the delicate folds of her garment to the intricate patterns on her ornaments and the lotus throne, speaks to a profound understanding of form and spiritual iconography. The rich patina of the copper adds a depth and gravitas to the piece, hinting at its enduring nature and the timeless wisdom it represents. This statue is not merely an object of art but a conduit for spiritual contemplation and a testament to the enduring legacy of Buddhist art in Nepal.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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