9" Colorful Aparmita Buddha Copper Statue from Nepal

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MADE IN INDIA.

9" Colorful Aparmita Buddha Copper Statue from Nepal

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$534.75

$713

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Only 1 available

Aparmita assumes a graceful seated posture, known as padmasana (full lotus pose), with his right leg resting atop the left. His hands rest gently on his lap, forming the dhyana mudra, a symbol of meditation which unifies wisdom and compassion.

Within his hands, he cradles a vessel or kalasha, containing a healing elixir. Aparmita's divine presence is elevated as he sits upon a double lotus pedestal. Adorned regally, he wears a resplendent crown and intricate jewelry, including ornate necklaces and large gemstone-studded earrings. A flowing scarf gracefully drapes over his shoulders, cascading to his lower arms, completing his majestic appearance.

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Specifications

	MIT006
	Copper with Gold Plated
	Height: 9 inch
	Width: 7 inch
	Depth: 4 inch
	Weight 1.40 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

A Radiant Embodiment of Longevity and Wisdom

This exquisite copper statue, meticulously crafted in Nepal, depicts Aparmita, a revered form of Buddha associated with boundless life, purification, and the overcoming of obstacles. Standing at nine inches tall, the statue is a testament to the enduring artistic traditions of the Himalayas, where sacred imagery is imbued with profound spiritual meaning and aesthetic beauty. The figure is adorned with vibrant, jewel-toned pigments that bring the divine form to life, while intricate gold plating highlights key features, lending an aura of auspiciousness and permanence. The posture of the deity is serene and meditative, seated in a lotus position on an elaborately decorated pedestal. The hands are held in a gesture of meditation or wisdom, cradling a vital elixir, symbolizing the nourishment of life and spiritual sustenance. The headdress and ornamentation are rich and complex, indicative of a celestial being of great power and compassion. The deep red of the central robe represents passion, vitality, and the transformative power of spiritual practice.

Mythological Significance and Cultural Resonance

Aparmita, whose name translates to "unending" or "invincible," is a celestial Buddha who presides over the western direction and is invoked for longevity, the purification of negative karma, and the attainment of spiritual liberation. In Buddhist iconography, the color red is often associated with the passion that can be transformed into wisdom, and the sustenance of life. The gesture of the hands, often a reflection of the Vitarka Mudra (teaching gesture) or Dhyana Mudra (meditation gesture), signifies the imparting of knowledge and the attainment of profound peace. The creation of such statues in Nepal is deeply rooted in the rich spiritual heritage of the region, where Buddhism has flourished for centuries. Nepalese artisans are renowned for their skill in metalwork and thangka painting, and their creations are sought after by practitioners and collectors worldwide for their authenticity and spiritual potency. This statue, made from copper and detailed with gold plating, is not merely an object of art but a sacred conduit for devotion and a reminder of the timeless Buddhist principles of compassion, wisdom, and the aspiration for endless spiritual progression.

An Object of Devotion and Artistic Excellence

The intricate details of this statue speak volumes about the dedication and skill of its creators. From the delicate rendering of the facial features to the ornate patterns adorning the robes and the lotus base, every element is executed with precision and reverence. The combination of copper, a metal known for its conductive properties and historical use in sacred objects, with the luminous touch of gold, creates a visually captivating piece that radiates an inner light. The vibrant colors, particularly the striking red, are not merely decorative but carry symbolic weight within Buddhist cosmology, enhancing the statue's spiritual resonance. This piece is more than just a decorative item; it is an invitation to contemplate the nature of existence, the pursuit of enlightenment, and the aspiration for a life filled with purpose and spiritual abundance. It is a perfect addition to any altar, meditation space, or collection of sacred art, bringing a touch of Himalayan spirituality and artistic grandeur into your home.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.