9'' Copper Deity Aparmita Idol in Dhyana Mudra | Nepalese Handicrafts

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9'' Copper Deity Aparmita Idol in Dhyana Mudra | Nepalese Handicrafts

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$254.25

$339

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Aparmita Buddha in a state of serene meditation, gracefully seated in the Dhyana Mudra. With eyes closed in deep contemplation and hands placed in a meditative posture on the lap, Aparmita emanates an aura of tranquility and inner peace. The subtle connection to the five Dhyani Buddhas through the symbolic crown emphasizes his embodiment of enlightened qualities.

This representation encapsulates the essence of Aparmita's Pure Land teachings, where meditation and devotion lead to enlightenment. The Dhyana Mudra reflects a perfect equilibrium, symbolizing the harmonious pursuit of spiritual awakening under the guidance of Aparmita Buddha.

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Specifications

	MIV944
	Copper Gilded With Gold
	Height: 9 inch
	Width: 6.5 inch
	Depth: 3.5 inch
	Weight 1.50 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

Embodiment of Unwaning Light and Infinite Life

This exquisite copper idol, meticulously gilded with pure gold, captures the serene essence of a divine being known for bestowing boundless life and infinite wisdom. The figure is seated in the dignified Dhyana Mudra, a gesture of profound meditation and concentration, symbolizing the calming of the mind and the attainment of inner peace. This posture is deeply rooted in Buddhist tradition, often associated with the Buddha Shakyamuni during his period of deep contemplation before enlightenment. The deity's countenance is one of tranquil beauty, with downcast eyes conveying a deep inward focus. The golden glow that emanates from the meticulously applied gilding speaks of purity and spiritual radiance. Intricate details adorn the figure, from the delicate strands of the beaded necklace to the ornate crown that signifies spiritual authority and enlightened status. The flowing robes, rendered in rich, warm tones, drape elegantly around the body, adding to the overall sense of grace and peaceful composure. The contrast between the polished gold and the deeper hues of the fabric creates a captivating visual depth, highlighting the masterful craftsmanship.

A Symbol of Longevity and Auspiciousness

The reverence for this particular divine form extends across many cultures influenced by Buddhist philosophy. It is believed that devotion to this deity can invoke blessings of longevity, good health, and the eradication of suffering and ignorance. In Tibetan Buddhism, for instance, this figure is often identified with Amitayus, the Buddha of Infinite Life. Legends speak of Amitayus appearing to his devotees to grant long life, wisdom, and the merit necessary to attain liberation. The imagery often includes a vase containing the nectar of immortality, though this particular representation focuses on the profound meditative aspect. The artistry itself hails from Nepal, a land steeped in centuries of spiritual and artistic heritage. Nepalese artisans have long been renowned for their ability to imbue their creations with a palpable sense of spiritual energy. Each detail, from the serene facial expression to the precise rendering of the posture and ornamentation, is a testament to their dedication and skill. This idol is not merely a decorative object but a vessel of spiritual significance, designed to inspire contemplation and foster a connection with the divine. Its presence can transform any space into a sanctuary of peace and reflection, inviting contemplation on the nature of existence and the pursuit of spiritual well-being.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.