9" Goddess Green Tara Copper Statue - Buddhist Deity Idol from Nepal

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9" Goddess Green Tara Copper Statue - Buddhist Deity Idol from Nepal

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Name: 9" Goddess Green Tara Copper Statue - Buddhist Deity Idol from Nepal
Brand: Exotic India
SKU: MIS622
Price: 290.00 USD
Availability: InStock

$250.50

$334

25% off

Includes any tariffs and taxes

Only 1 available

The statue of Green Tara is beautifully depicted with rich symbolism. She is presented in a dark green color, which holds significance in Buddhist iconography. Her right hand extends across the knee in a gesture of generosity, and she holds the stem of a lotus flower in this hand. Additionally, her right hand is positioned at the heart in the mudra of blessing, also holding another lotus flower stem, which is in bloom on the upper left side.

Green Tara's right hand can be seen in two variations: either extended across the knee or placed over the knee with the fingers pointing upwards, signifying a fearless gesture. This exquisite statue is crafted from copper and adorned with a gold-plated finish, adding to its elegance and significance in Buddhist symbolism.

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Specifications

	MIS622
	Copper with Gold Plated
	Height: 9 inch
	Width: 5 inch
	Depth: 3 inch
	Weight 1.30 kg

Delivery and Return Policies

	Ships in 1-3 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

Embodiment of Compassion and Action

This exquisite copper statue, with its radiant gold plating, captures the serene and powerful presence of Green Tara, a revered female bodhisattva in Mahayana Buddhism. She is the embodiment of compassionate action, swift in her response to the suffering of sentient beings. Unlike other deities who might meditate or contemplate, Tara is depicted in a posture of readiness, ever poised to descend and offer aid. This statue, crafted with meticulous detail in Nepal, reflects a rich artistic heritage and a deep spiritual tradition. The iconography of Green Tara is deeply symbolic. She is often shown seated in a relaxed posture, with her right leg extended, ready to spring into action, while her left leg is folded in the lotus position, signifying her spiritual attainment. In her left hand, she often holds a lotus flower, a symbol of purity and enlightenment that blooms even in muddy waters, representing the ability to navigate the challenges of existence with grace. Her right hand is typically extended in the gesture of *abhaya mudra*, a gesture of fearlessness and protection, assuring devotees that their pleas will be heard and their fears allayed.

Mythological Roots and Cultural Significance

Green Tara's origins are steeped in myth and legend. One prominent tale recounts that she manifested from a tear of the Bodhisattva of Compassion, Avalokiteshvara, shed as he wept over the suffering in the world. From his tear, a lotus bloomed, and from the lotus emerged Green Tara, radiating with brilliant green light. This origin story highlights her intrinsic connection to compassion and her immediate responsiveness. Another narrative describes her as a manifestation of the female aspect of the Buddha, embodying wisdom and skillful means. In Tibetan Buddhism, Tara is one of the most widely venerated deities. She is known by many names, including "Mother of Liberation" and "Mother of all Buddhas." Her devotees invoke her name to overcome obstacles, fears, and anxieties, and to cultivate qualities of courage, wisdom, and compassion within themselves. The color green symbolizes her active nature and her connection to the earth, representing vitality, growth, and the flourishing of life. Owning and contemplating this statue can serve as a constant reminder of these profound qualities and inspire one to embody them in their own life.

Artistry and Devotional Aura

The craftsmanship of this statue is a testament to the skill of Nepalese artisans. The use of copper as the base material provides a sturdy and enduring foundation, while the gold plating imbues the deity with a celestial glow, reflecting her enlightened nature. Every element, from the intricate design of her crown and ornaments to the delicate rendering of her facial features and hand gestures, has been executed with reverence. The rich patina and the subtle variations in the finish further enhance the visual appeal, giving the statue a sense of depth and antiquity. This piece is more than just a decorative item; it is a sacred object, intended to be a focal point for meditation, prayer, and spiritual practice, bringing a sense of peace, protection, and divine grace into any space.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.