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9" Goddess Green Tara Copper Statue from Nepal | Buddhist Deity Idols

$548.25
$731
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Tara, a revered female divinity, emerged between the 7th and 12th centuries in India. Her forms differ in Hinduism and Buddhism: a yogini among Hindu Tantra's ten Mahavidyas and a female Buddha in Vajrayana Buddhism. 'Green Tara' and 'White Tara' are vital in Buddhism. Tibetan lore claims she formed from Bodhisattva Avalokitesvara's tears, embodying liberation and feminine principles. Tara signifies success, compassion, and escape from negative karma, bringing warmth and release from cyclic existence's trials.

 

Originating in India, Tara's influence spread globally. 'Green Tara' shields against misfortune, safeguarding humanity and nature, especially plants. As Khadiravani, a forest goddess, she's linked to plant life, acacia trees, and the wind. A guardian of wildlife and wind, Tara stands with her consorts, Ekajata and Ashokanta. Her left-hand holds a long-stemmed lotus, an emblem of her essence.

Specifications
CAA141
Copper With Gold
Height: 9 inch
Width: 6 inch
Depth: 4 inch
Weight 2.10 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Compassion and Protection

This exquisite statue captures the benevolent form of Green Tara, a revered goddess in Tibetan Buddhism, renowned as the "Mother of Liberation" and the "Swift Goddess." Originating from the skilled artisans of Nepal, this piece is crafted from copper and intricately adorned with gold, imbuing it with a divine radiance that speaks of its sacred purpose. The goddess is depicted in the traditional seated posture of ease and grace, her right leg extended and her left leg folded, symbolizing her readiness to descend and offer aid.

Symbolism and Iconography

Green Tara's iconography is rich with meaning. Her green hue signifies her active, dynamic energy, representing her swiftness in responding to prayers and her ability to overcome obstacles and negativities. She is often depicted holding a lotus flower, a symbol of purity and enlightenment, which she cultivates in the muddy waters of samsara. In this representation, she holds a blooming lotus in her left hand, while her right hand is in the gesture of *varada mudra*, the boon-granting gesture, signifying her boundless generosity and her willingness to fulfill the wishes of her devotees. Her serene and compassionate gaze, further enhanced by the delicate turquoise and red stone embellishments that adorn her crown and jewelry, draws the viewer into a space of peace and spiritual contemplation.

Mythological Context and Devotion

According to Buddhist legend, Green Tara was born from a tear shed by the bodhisattva Avalokiteshvara in his effort to alleviate the suffering of sentient beings. Witnessing the immense suffering, Avalokiteshvara wept, and a tear from his right eye transformed into a lake, from which a lotus bloomed. Upon the lotus, Tara appeared, radiating compassion and wisdom. She vowed to always be reborn in female form to help all beings achieve enlightenment and overcome their fears and delusions. She is particularly invoked for protection against dangers, for overcoming illness, and for fulfilling spiritual and worldly aspirations. Her swiftness is often described as being faster than the wind, highlighting her immediate responsiveness to those who call upon her.

Artistic Craftsmanship from Nepal

This statue is a testament to the enduring artistic traditions of Nepal, a land deeply steeped in Buddhist heritage. The meticulous detail, from the delicate folds of her garments to the serene expression on her face, showcases the master craftsmanship passed down through generations. The application of gold over the copper not only enhances its visual splendor but also symbolizes purity, enlightenment, and the preciousness of the divine presence. Displaying this statue in your home or sacred space is an invitation to experience the protective embrace and compassionate wisdom of Green Tara, fostering a sense of inner peace, strength, and spiritual well-being.

A Divine Presence in Your Sanctuary

This magnificent 9-inch statue is more than just an object of art; it is a conduit for spiritual connection and a reminder of the constant presence of compassion in the world. Its substantial size makes it a striking focal point for any altar, meditation room, or contemplative space. The rich copper base, intricately carved and gilded, supports the goddess in her serene pose, anchoring her divine energy. Whether you are a devoted practitioner of Buddhism or simply seeking a symbol of hope, protection, and unconditional love, this Green Tara statue offers a powerful and beautiful representation of these profound qualities. It is a piece that resonates with history, spirituality, and the enduring pursuit of liberation.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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