Amitayus Gilded Copper Statue from Nepal
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Amitayus Gilded Copper Statue from Nepal

$3103.50
$4138
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Presented in the Sambhogakaya or the divine body of Buddha, Amitayus in this Nepalese statue is the representation of the eternal life-giving powers of enlightenment. In his hands placed in the gesture of meditation which is a practice to achieve an enlightened state, is the pot of ambrosia. It is by following the path of Dhamma that one can attain eternal life- this is underlined by the gilded statue of Amitayus in Buddhism.


Magnificently ornamented, haloed, and enthroned on a lotus, Amitayus’s youthful countenance is beautified by the shining jewel on his forehead, representing his supreme wisdom. 

Specifications
NLH081
Copper With Gold
Height: 18.5 inch
Width: 13.5 inch
Depth: 7 inch
Weight 8.20 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Beacon of Infinite Life and Merit

This exquisite statue embodies Amitayus, the Buddha of Infinite Life, a serene and benevolent deity revered in Tibetan Buddhism. Crafted with meticulous detail from copper and generously gilded with gold, this sculpture radiates an aura of profound peace and spiritual abundance. Amitayus is an emanation of Amitabha, the Buddha of the Western Pure Land, and his presence is invoked for longevity, merit, and the attainment of enlightenment. His iconography is rich with symbolism, speaking to the impermanence of life and the enduring power of spiritual practice.

The Embrace of the Divine

Seated in the meditative posture of Vajrasana, Amitayus's form is graceful and commanding. His hands are held in the Dhyana Mudra, a gesture of meditation and profound concentration, symbolizing the concentration that leads to liberation. He is adorned with the elaborate regalia of a Sambhogakaya Buddha, including a jeweled crown and ornate earrings, signifying his celestial nature and the adornments of his enlightened mind. The gilded surface of the statue gleams, reflecting the light and drawing the viewer into a state of contemplative awe. The intricate carvings that embellish his robes and the base further enhance the artistry and spiritual significance of this masterpiece.

A Celestial Aura

The magnificent aura that frames Amitayus is a testament to the skill of Nepalese artisans. Intricately wrought and embedded with vibrant red and turquoise stones, it suggests the boundless radiance of enlightened consciousness. These precious stones are not merely decorative; they represent various auspicious qualities and are believed to amplify the Buddha's blessings. The lotus base, a universal symbol of purity and spiritual awakening, supports the divine form, grounding the celestial in a tangible representation. This statue serves as a powerful reminder of the Buddha's teachings on compassion, wisdom, and the pursuit of eternal well-being.

Whispers of Ancient Wisdom

In Buddhist cosmology, Amitayus is particularly associated with Sukhavati, the Pure Land of the West, a realm of bliss and ultimate peace presided over by Amitabha. Devotees aspire to be reborn in Sukhavati through sincere devotion and virtuous deeds, and meditating upon Amitayus is believed to purify negative karma and grant a long and prosperous life, both in this existence and future ones. Tales abound of the compassionate grace of Amitayus, offering solace and hope to all sentient beings. This statue, therefore, is more than just an object of art; it is a conduit for spiritual aspiration and a source of profound blessings, embodying the timeless quest for spiritual liberation and unending peace.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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