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Buddha with Superbly Carved Robe

$412.50
$550
25% off
Includes any tariffs and taxes
Specifications
ZAM30
Copper Statue
Height: 8 inch
Width: 6 inch
Depth: 3 inch
Weight 1.56 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Symbol of Enlightenment and Serenity

This exquisite copper statue captures the serene countenance of the Buddha in a moment of profound contemplation. The intricate details of the robe, rendered with remarkable skill, speak to the artistry and devotion poured into its creation. The flowing folds of the fabric are meticulously sculpted, creating a sense of movement and depth that is both elegant and powerful. The rich, warm patina of the copper adds to its timeless appeal, suggesting an object imbued with history and spiritual significance. The posture of the Buddha, seated in the meditative cross-legged position, is a classic representation of enlightenment. His hands are held in a gesture of meditation or possibly the 'Bhumisparsha Mudra,' the gesture of touching the earth, symbolizing his victory over temptation and his attainment of enlightenment under the Bodhi tree. This pose is central to Buddhist iconography, representing the moment Siddhartha Gautama achieved Buddhahood and understood the nature of suffering and the path to liberation. Legend has it that Mara, the demon king of desire and illusion, tempted the Buddha with sensual pleasures and fears, but the Bodhisattva remained unmoved, calling the earth as witness to his resolve and purity.

A Masterpiece of Craftsmanship

The base of the statue is equally impressive, adorned with a detailed lotus design. The lotus flower, a potent symbol in Buddhism, represents purity, spiritual awakening, and detachment. Just as the lotus rises untainted from muddy waters, the Buddha's teachings guide followers towards spiritual purity, free from worldly attachments and defilements. The detailed carving on the robe, featuring intricate patterns and perhaps even mythical creatures or symbolic motifs, further enhances the statue's visual appeal and its spiritual resonance. These ornate designs might represent various Buddhist principles or auspicious symbols, inviting deeper reflection and understanding. This copper statue is more than just a decorative item; it is a conduit to a rich cultural and spiritual heritage. It embodies the principles of peace, compassion, and wisdom that are central to Buddhism. The presence of such an artifact in your home or meditation space can serve as a constant reminder to cultivate these qualities within yourself, to find inner peace amidst the complexities of modern life, and to approach challenges with grace and equanimity. It’s a tangible representation of a journey towards self-discovery and enlightenment, inspired by the path of the Awakened One.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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