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100% Handmade
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MADE IN INDIA.

Crystal Ritual Box Decorated with Gemstones and Filigree Work

$688
Includes any tariffs and taxes
Specifications
ZCY87
Crystal, Copper and Gemstones
Height: 4.6 inch
Width: 4.7 inch
Depth: 4.7 inch
Weight 1.18 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

An Offering to the Divine: The Gemstone-Adorned Ritual Vessel

This exquisite ritual box is a testament to artistry and spiritual devotion, designed to hold sacred objects and imbue your spiritual practices with an aura of opulence and ancient wisdom. Crafted from luminous crystal, its base offers a foundation of purity and light, reminiscent of the clear mountain streams where deities are said to reside. Encasing this crystalline core is a symphony of meticulously worked copper, detailed with intricate filigree and a dazzling array of gemstones. This fusion of materials speaks to a deep understanding of the earth's treasures and their connection to the celestial realm.

Symbolism and Sacred Craftsmanship

The copper, a metal revered in many ancient cultures for its conductivity and association with Venus, represents love, beauty, and artistic expression. Its warm, golden hue in this piece evokes the sun's life-giving energy. Adorning this metallic tapestry are vibrant gemstones. The deep red of the rubies symbolizes passion, vitality, and protection, often associated with warrior goddesses and royal power. The verdant green of the emeralds signifies growth, abundance, and healing, calling to mind the lush gardens of paradise and the restorative powers of nature. The bright coral accents, reminiscent of precious blossoms, add a touch of the earthly, the vibrant energy of life and creativity. These elements are not merely decorative; they are believed to resonate with specific energies, amplifying the intentions set within the ritual space.

A Legacy of Devotion

The intricate filigree work, a hallmark of traditional craftsmanship, mimics the delicate patterns found in nature, from the veins of a leaf to the swirling currents of water. In many Eastern traditions, such fine metalwork is believed to capture and hold spiritual energy, acting as a conduit between the material and the ethereal. The auspicious placement of each jewel and the precision of the design echo the care and reverence with which ancient artisans created objects for temples and sacred ceremonies. Imagine this vessel gracing an altar, its surfaces reflecting candlelight and the soft glow of incense, a silent testament to a lineage of seekers who understood the power of beauty in their communion with the divine. This piece is more than just a container; it is a vessel of intention, a focal point for meditation, and a beautiful reminder of the sacred that exists within and around us.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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