Daka Incense Burner from Nepal
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MADE IN INDIA.

Daka Incense Burner from Nepal

$1068.75
$1425
25% off
Includes any tariffs and taxes
Only 1 available

The incense burner that you see on this page is a particularly spiritual composition. Handpicked from Nepal, the land of the largest number of practising Buddhists, it features a daka sitting on top. In Indian and Nepalese cultures (both Hinduism and Buddhism), the daka is a lesser deity whose function is to assist spiritual progress.


As such, the presence of one on your incense burner makes this a one-of-a-kind incense burner. It is a unique piece of art in itself, having been fashioned from dark-coloured copper. The pure copper make is then superimposed with luxuriant silver embellishment. These embellishment take the form of mythical creatures and adornment of the daka.


A set of three wrathful creatures of the Buddhist heavens, bearing strong resemblance to the lion, hold up the incense burner.

Specifications
MIV826
Copper with Silver Plated
Height: 8.5 inch
Width: 4.5 inch
Depth: 4.5 inch
Weight 1.40 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Embodiment of Auspicious Omens

This exquisite incense burner, originating from the sacred land of Nepal, is more than just an object of devotion; it is a testament to the rich tapestry of Buddhist and Bon traditions, meticulously crafted from copper and adorned with fine silver plating. The central figure depicts a powerful dakini, a practitioner of tantric Buddhism, often depicted as a sky-dancer or yogini, embodying wisdom and enlightened activity. In some traditions, dakinis are seen as messengers of the deities or as celestial beings who guide practitioners on their spiritual path. The coiled posture and the ritualistic gesture of raising a ceremonial horn to the lips evoke the transformative power of sound and mantra, believed to purify the environment and awaken spiritual awareness.

Guardians of the Sacred Space

The base of this sacred vessel is a masterpiece of symbolism, guarded by fierce yet protective motifs. The roaring lion heads, rendered in gleaming silver, are powerful symbols found throughout Himalayan art. Lions are often associated with royalty, courage, and the subjugation of ignorance and negative forces. In Buddhist iconography, the lion symbolizes the Buddha's roar, which awakens beings to the truth of the Dharma. The intricate floral embellishments and the Dharma wheel, a symbol of the Buddha's teachings and the path to enlightenment, further enhance the spiritual significance of the burner. The four supporting legs, fashioned as powerful mythical creatures with vibrant red accents, represent the four directions, indicating the expansive reach of the Dharma and its protective influence over all realms. These guardian figures ward off negativity, ensuring that the sacred smoke from the incense purifies and blesses the space where it is burned.

A Vessel for Spiritual Purity

The very act of burning incense has profound cultural and spiritual roots. Across many ancient traditions, including those practiced in Nepal, smoke from burning herbs and resins is believed to carry prayers to the heavens, cleanse negative energies, and create an atmosphere conducive to meditation and worship. This incense burner serves as a conduit for these sacred intentions. Whether used in a personal altar, a monastic setting, or as a striking decorative piece, it invites a sense of peace, reverence, and spiritual connection. The meticulous craftsmanship, passed down through generations of Nepalese artisans, ensures that this piece is not only functional but also a work of art that resonates with the profound spiritual heritage of the Himalayas.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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