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Dancing Saraswati

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$1026.75

$1369

25% off

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Specifications

	EG82
	South Indian Temple Wood Carving
	Height: 2.9 ft
	Width: 1.2 ft
	Depth: 0.3 ft
	Weight 7.60 kg

Delivery and Return Policies

	Usually ships in 40 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

The Goddess of Knowledge and Arts

Behold the embodiment of wisdom, music, and the arts – the divine Saraswati, brought to life in this exquisite South Indian temple wood carving. Measuring 2.9 x 1.2 x 0.3 feet, this stunning piece captures the goddess in a dynamic pose, her very form radiating creative energy. This is more than just a decorative object; it's a portal to the rich tapestry of Hindu mythology and spiritual inspiration.

Iconography and Symbolism

Saraswati, the consort of Lord Brahma, the creator of the universe, is revered as the deity of knowledge, music, arts, wisdom, and learning. In this captivating carving, she is depicted in a graceful, dancing posture, a departure from her more traditional seated depictions. This dynamic representation emphasizes the active and expressive nature of creativity and the pursuit of knowledge. The goddess is adorned with intricate jewelry and garments, reflecting her divine status and the inherent beauty of her essence. She holds her veena aloft, a stringed instrument that is synonymous with her name. The veena symbolizes the harmony of the universe and the power of music to evoke emotion, inspire creativity, and connect with the divine. Note the details within the carving, the subtle bend of her fingers, the ornamentation around her waist, the leaves and flowers that form a halo around her. Each element contributes to a sense of sacred beauty.

South Indian Temple Art: A Legacy of Craftsmanship

This magnificent carving is a testament to the enduring legacy of South Indian temple art. Generations of skilled artisans have honed their craft to create awe-inspiring sculptures that adorn temples and sacred spaces across the region. This particular piece, sculpted from wood, showcases the meticulous attention to detail and artistic finesse characteristic of this ancient tradition. The wood itself becomes a medium for storytelling, each curve and line imbued with meaning and spiritual significance. Imagine the dedication and precision required to transform a simple piece of wood into such an elegant and detailed portrayal of a goddess. Such artistry is the hallmark of authentic South Indian temple carving.

The Gift of Inspiration

Invite the blessings of Saraswati into your home or sacred space with this exceptional wood carving. It serves as a constant reminder of the importance of knowledge, creativity, and the pursuit of wisdom. Whether you are a student, an artist, a musician, or simply someone who appreciates the beauty and power of art, this piece will undoubtedly inspire and uplift your spirit. Allow the presence of the dancing Saraswati to ignite your imagination, unlock your potential, and guide you on your journey towards enlightenment. May this exquisite carving bring the blessings of knowledge, wisdom, and creativity into your life.

Sculpting Serenity: Unveiling the Art of Crafting Wood Statues

Wood has been a preferred material for sculptures and statues since ancient times. It is easy to work with than most metals and stones and therefore requires less effort to shape it into any desired shape or form. The texture of the wood gives an element of realism to the sculpture. The selection of an appropriate wood type is necessary for carving. Woods that are too resinous or coniferous are not considered good for carving as their fiber is very soft and thus lacks strength. On the other hand, wood such as Mahogany, Oakwood, Walnut wood, Weet cherry wood, etc., are preferred by sculptors because their fiber is harder. A wood sculptor uses various tools such as a pointed chisel in one hand and a mallet in another to bring the wood to the desired measurement and to make intricate details on it. A carving knife is used to cut and smooth the wood. Other tools such as the gouge, V-tool, and coping saw also serve as important tools in wood carving. Although the wood carving technique is not as complex and tough as stone carving or metal sculpting, nonetheless, a wood carver requires a high level of skills and expertise to create a stunning sculpture.

1. Selecting the right wood

The process of wood carving begins with selecting a chunk of wood that is required according to the type and shape of the statue to be created by the sculptor. Both hardwoods and softwoods are used for making artistic pieces, however, hardwoods are preferred more than softer woods because of their durability and longevity. But if heavy detailing is to be done on the statue, wood with fine grain would be needed as it would be difficult to work with hardwood.

2. Shaping the wood

Once the wood type is selected, the wood carver begins the general shaping process using gouges of various sizes. A gouge is a tool having a curved cutting edge which is useful in removing large unwanted portions of wood easily without splitting the wood. The sculptor always carves the wood across the grain of the wood and not against it.

3. Adding detailing

When a refined shape of the statue is obtained, it is time for making details on the statue using different tools. This is achieved by using tools such as a veiner to make and a V-tool to create decorative and sharp cuts.

4. Surface finishing

Once finer details have been added, the sculptor is ready to smoothen the surface and give it a perfect finish. Tools such as rasps and rifflers are used to get a smooth surface. The finer polishing is obtained by rubbing the surface with sandpaper. If a textured surface is required, this step is skipped. Finally, to protect the statue from excessive dirt accumulation, the sculptor applies natural oils such as walnut or linseed oil all over it. This also brings a natural sheen to the statue.

How to care for Wood Statues?

Wood is extensively used in sculpting especially in countries like China, Germany, and Japan. One feature that makes the wood extremely suitable for making statues and sculptures is that it is light and can take very fine detail. It is easier for artists to work with wood than with other materials such as metal or stone. Both hardwoods, as well as softwood, are used for making sculptures. Wood is mainly used for indoor sculptures because it is not as durable as stone. Changes in weather cause wooden sculptures to split or be attacked by insects or fungus. The principal woods for making sculptures and statues are cedar, pine, walnut, oak, and mahogany. The most common technique that sculptors use to make sculptures out of wood is carving with a chisel and a mallet. Since wooden statues are prone to damage, fire, and rot, they require proper care and maintenance.

Wood tends to expand and contract even after it has been processed, thus it is always recommended to keep the wooden sculptures in rooms with little humidity. Excess moisture can harm your masterpiece.

Periodical dusting of the finished piece is necessary to maintain its beauty as dust accumulation on the surface takes away the shine of the sculpture. You can use a clean and soft cloth or a hairbrush for this purpose.

You must avoid applying any chemical-based solutions that may damage the wood from the inside. Instead, you can apply lemon oil or coconut oil using a cotton rag to the sculpture to bring out its natural shine. Lemon oil also helps to clean any stains on the sculpture.

Applying a layer of beeswax protects the wood from sun damage and hides even the smallest imperfections on the wood.

It is extremely important to preserve and protect wooden sculptures with proper care. A little carelessness and negligence can lead to their decay, resulting in losing all their beauty and strength. Therefore, a regular clean-up of the sculptures is a must to prolong their age and to maintain their shine and luster.

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