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MADE IN INDIA.

Made in Nepal Vajrasattva - Holder of Thunderbolt and Bell (Tibetan Buddhist Deity)

$150.75
$201
25% off
Includes any tariffs and taxes
Specifications
ZCW76
Copper Statue
Height: 3.4 inch
Width: 2.4 inch
Depth: 1.5 inch
Weight 200 gm
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Purity and Enlightenment

Discover profound spiritual significance and artistic mastery with this exquisite copper statue, meticulously handcrafted in Nepal. This piece portrays Vajrasattva, a central figure in Vajrayana Buddhism, revered as the embodiment of purity, purification, and the fundamental nature of enlightenment. His serene countenance and intricate adornments speak to a divine presence that inspires contemplation and devotion. The form of Vajrasattva is rich with symbolism. He is depicted seated in the vajra-posture, a symbol of indestructibility and the unwavering nature of the enlightened mind. In his right hand, he holds a vajra, a ritual scepter representing the thunderbolt of enlightenment, capable of cutting through ignorance and delusion. The vajra also symbolizes compassion. In his left hand, held at his heart, he grasps a bell, the ghanta, which represents wisdom and the voidness of all phenomena. The union of the vajra and bell signifies the inseparable nature of compassion and wisdom, the two essential elements for achieving Buddhahood. ––––––––––

A Protector Against Negativity

In Buddhist lore, Vajrasattva plays a crucial role in helping practitioners overcome negative karma, obscurations, and mental defilements. The practice of visualizing and reciting the mantra of Vajrasattva is considered one of the most potent methods for purifying the mind. It is believed that through devotion to Vajrasattva, one can cleanse the accumulated negativity of lifetimes, paving the way for spiritual progress and ultimate liberation. This statue serves as a tangible reminder of this powerful purification practice, encouraging mindfulness and devotion in your daily life. This finely crafted copper statue is a testament to the rich artistic heritage of Nepal, where skilled artisans have for centuries brought divine figures to life through metalwork. The detailed ornamentation, from the intricate crown to the flowing robes, reflects the dedication and spiritual understanding of the craftsmen. This piece is more than just an object of art; it is a conduit for spiritual energy, a focal point for meditation, and a beautiful representation of the path to enlightenment. Whether you are a dedicated practitioner of Buddhism or simply appreciate the profound beauty and symbolism of sacred art, this Vajrasattva statue will be a cherished addition to your collection, bringing a sense of peace and spiritual upliftment to any space.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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