BOOKS ON INDIAN CLASSICAL & FOLK DANCE

Показано с 121 до 144 из 319 результатов
Показано с 121 до 144 из 319 результатов
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The Dance Orissi (Odissi)
The Dance Orissi (Odissi)
By Mohan KhokarAshish Khokar
฿1896.70
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฿2918 35% off
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Odissi Yaatra- The Journey of Guru Mayadhar Raut
Odissi Yaatra- The Journey of Guru Mayadhar Raut
By Aadya Kaktikar
฿1511.40
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฿2748 45% off
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Dhananjayan on Indian Classical Dance
Dhananjayan on Indian Classical Dance
Publisher B.R. Publishing Corporation
฿1071
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฿1530 30% off
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Let’s Know Dances of India
Let’s Know Dances of India
By Aakriti Sinha
฿963
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Dances of Kerala
Dances of Kerala
By G. Rajasekaran
฿674.10
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฿963 30% off
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Celebration of Life Indian Folk Dances
Celebration of Life Indian Folk Dances
By Jiwan Pani
฿1048
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Dance Drama (In Theory and Practice)
Dance Drama (In Theory and Practice)
By S. Ramaratnam
฿1745.10
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฿2493 30% off
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Mohiniyattam (Bharati Shivaji and Vijayalakshmi)
Mohiniyattam (Bharati Shivaji and Vijayalakshmi)
By Bharati Shivaji & Vijayalakshmi
฿822
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Indian Dances For Beginners
Indian Dances For Beginners
By Ram Avtar 'Vir'
฿453.60
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฿567 20% off
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Gaudiya Dance (A Collection of Seminar Papers)
Gaudiya Dance (A Collection of Seminar Papers)
By Pallab Sengupta , Manabendu Banerjee , Mahua Mukherjee
฿1020
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Shammi Kapoor The Dancing Hero (The Legends of Indian Cinema
Shammi Kapoor The Dancing Hero (The Legends of Indian Cinema
By Deepa Gahlot
฿595
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฿850 30% off
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Movement in Stills: The Dance and Life of Kumudini Lakhia
Movement in Stills: The Dance and Life of Kumudini Lakhia
By Reena Shah
฿935
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Lhamo Opera from the Roof of the World-Joanna Ross
Lhamo Opera from the Roof of the World-Joanna Ross
By Joanna Ross
฿1048
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Dance like a Man
Dance like a Man
By Mahesh Dattani
฿218.40
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฿312 30% off
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A Dictionary of Kathakali
A Dictionary of Kathakali
By K. P. S. Menon
฿567
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भरतार्णव: - Bharatarnava of Nandikeshwar (Photostat)
भरतार्णव: - Bharatarnava of Nandikeshwar (Photostat)
By Nandikesvara
฿1275
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Fashioning Masculinity in Dance
Fashioning Masculinity in Dance
By Shushmita
฿816
฿1020 20% off
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Mysore Bharathanatya Sampradaya as Taught by Asthana Vidhushis Sundaramma and Nagarathnamma to American Disciple Nala Najan: Book-7 (Set of 2 Volumes)
Mysore Bharathanatya Sampradaya as Taught by Asthana Vidhushis Sundaramma and Nagarathnamma to American Disciple Nala Najan: Book-7 (Set of 2 Volumes)
By Compiled By Padma Chittampalli
฿1417
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Abhinaya Candrika & Odissi Dance (Glossy Paper Book)
Abhinaya Candrika & Odissi Dance (Glossy Paper Book)
By Maya Das
฿1983
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Books on Kathakali (Set of 14 Books)
Books on Kathakali (Set of 14 Books)
By Various Authors
฿14,620
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Tala and Nattuvangam: A Theoretical and Practical Study
Tala and Nattuvangam: A Theoretical and Practical Study
By Sreekanth P. V
฿652
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Cosmic Dance to Choreographic Lineage
Cosmic Dance to Choreographic Lineage
By Parul Purohit Vats, Rashmi Khanna, Simer Preet Sokhi
฿838.40
฿1048 20% off
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Κathakali- An Ocean of Possibilities, Heritage and Present Scenario
Κathakali- An Ocean of Possibilities, Heritage and Present Scenario
By V. R. Prabodhachandran Nayar
฿1077
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Sculpting the Sacred in Sound and Movement: Guru K.J. Govindarajan's Contribution to Bharatanatyam (Carnatic Compositions, Dance Repertoire, and the Making of a Legacy)
Sculpting the Sacred in Sound and Movement: Guru K.J. Govindarajan's Contribution to Bharatanatyam (Carnatic Compositions, Dance Repertoire, and the Making of a Legacy)
By Rashmi Khanna
฿838.40
฿1048 20% off
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
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    Shahpur Jat, Siri Fort
    New Delhi 110049, India
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