BOOKS ON INDIAN CLASSICAL & FOLK DANCE

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Mostrando 1 a 72 de 318 resultados
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Dance like a Man
Dance like a Man
By Mahesh Dattani
RM34.30
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KELUCHARAN MOHAPATRA: The Dancing Phenomenon
KELUCHARAN MOHAPATRA: The Dancing Phenomenon
By Text: Sharon Lowen, Photographs: Avinash Pasricha
RM67
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Birju Maharaj: The Dancing Phenomenon (Pocket Art Series)
Birju Maharaj: The Dancing Phenomenon (Pocket Art Series)
By Text: Leela Venkataraman & Photographs: Avinash Pasricha
RM67
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Sangeet Natak- Journal of The Sangeet Natak 72-73 (An Old and Rare Book)
Sangeet Natak- Journal of The Sangeet Natak 72-73 (An Old and Rare Book)
Publisher SANGEET NATAK AKADEMI
RM72
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Sangeet Natak- Journal of The Sangeet Natak Akademi-23 (An Old and Rare Book)
Sangeet Natak- Journal of The Sangeet Natak Akademi-23 (An Old and Rare Book)
By Uma Anand
RM72
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Sangeet Natak- Journal of The Sangeet Natak Akademi-24 (An Old and Rare Book)
Sangeet Natak- Journal of The Sangeet Natak Akademi-24 (An Old and Rare Book)
By Uma Anand
RM76
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Sangeet Natak- Journal of The Sangeet Natak Akademy -26 (An Old and Rare Book)
Sangeet Natak- Journal of The Sangeet Natak Akademy -26 (An Old and Rare Book)
By Uma Anand
RM76
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Sangeet Natak - Number 76 April 1985
Sangeet Natak - Number 76 April 1985
Publisher SANGEET NATAK AKADEMI, DELHI
RM57
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Sangeet Natak- Numbers 85-86 July - December 1987 (An Old and Rare Book
Sangeet Natak- Numbers 85-86 July - December 1987 (An Old and Rare Book
By A. Chatterjee
RM57
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Famous Great Indian Musicians and Dancers
Famous Great Indian Musicians and Dancers
By Shyam Dua
RM60.80
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Celebrating Folk and Tribal Forms (Sangeet Natak- Volume XLIX, Numbers 3-4-2015)
Celebrating Folk and Tribal Forms (Sangeet Natak- Volume XLIX, Numbers 3-4-2015)
By V.R. Devika
RM81
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Tribune System of Classification (An Old and Rare Book)
Tribune System of Classification (An Old and Rare Book)
By BISWAJIT SINHA and ASHOK CHOUDHURY
RM81
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Karanas: Cosmic Shiva 108 Bharatha Poses
Karanas: Cosmic Shiva 108 Bharatha Poses
Publisher Centre for the Promotion of Traditional Arts, Chennai
RM81
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Manipuri Dances
Manipuri Dances
By Leela Row Dayal
RM52.65
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Bharatanatyam
Bharatanatyam
By Thankamani Kutty
RM81
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Dance
Dance
By M Mukundan
RM81
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Nalacharitham
Nalacharitham
By Unnayiwarrier and V. Subramaniaiyer
RM89
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Modern Dance: Multifaceted Dimension (An Old and Rare Book)
Modern Dance: Multifaceted Dimension (An Old and Rare Book)
By Sruti Bandopadhyay
RM89
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नृत्य भारती: Nritya Bharti (Practical Lessons on Indian Dance)
नृत्य भारती: Nritya Bharti (Practical Lessons on Indian Dance)
By आचार्य सुधाकर: (Acharya Sudhakar)
RM89
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Indian Dances For Beginners
Indian Dances For Beginners
By Ram Avtar 'Vir'
RM71.20
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A Dictionary of Kathakali
A Dictionary of Kathakali
By K. P. S. Menon
RM89
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Folk Dances of Orissa (An Old and Rare Book)
Folk Dances of Orissa (An Old and Rare Book)
By Dhirendranath Patnaik
RM94
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Kathak Dance Syllabi (Part One)
Kathak Dance Syllabi (Part One)
By Puru Dadheech
RM94
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Introduction to Bharata's Natyasastra
Introduction to Bharata's Natyasastra
By Adya Rangacharya
RM94
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Natya Yoga: Peace Passion Pain Mapping Emotions
Natya Yoga: Peace Passion Pain Mapping Emotions
By Anjali, R. Sriram
RM98
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Special Issue- Prayog and Shastra (Sangeet Natak Volume, XLIX, Numbers 1-2, 2015
Special Issue- Prayog and Shastra (Sangeet Natak Volume, XLIX, Numbers 1-2, 2015
By Leela Venkataraman
RM98
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Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
By Smt. Madhavi Rajagopalan
RM98
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Gotipua Dance and Odissi Music (A Glorious Tradition)
Gotipua Dance and Odissi Music (A Glorious Tradition)
By Bishnu Mohan Kabi
RM103
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Tala and Nattuvangam: A Theoretical and Practical Study
Tala and Nattuvangam: A Theoretical and Practical Study
By Sreekanth P. V
RM103
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Sattriya The Living Dance Tradition of Assam
Sattriya The Living Dance Tradition of Assam
By Mallika Kandali
RM103
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Introduction to Kathak- The indian Classical Dance
Introduction to Kathak- The indian Classical Dance
By Manjiri Shreeram Deo
RM103
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Concept of Dance in Classical Sanskrit Literature
Concept of Dance in Classical Sanskrit Literature
By Dr. G. S. Hegde
RM103
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Dance Gestures: Mirror of Expressions (Abhinaya Darpanam)
Dance Gestures: Mirror of Expressions (Abhinaya Darpanam)
By Nandikesvara
RM103
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Disco Dancer – A Comedy in Five Acts
Disco Dancer – A Comedy in Five Acts
By Anuvab Pal
RM82.40
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Demsa- Dance of Andhra Pradesh (Monograph)
Demsa- Dance of Andhra Pradesh (Monograph)
By Jayadhir Thirmal Rao
RM107
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Bharatanatyam Nrithya Darpana (The Basic Knowledge of Theory and Adavus)
Bharatanatyam Nrithya Darpana (The Basic Knowledge of Theory and Adavus)
By N. K. Pratap Sarkar
RM107
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Zlos-Gar Performing Traditions of Tibet
Zlos-Gar Performing Traditions of Tibet
By Jamyang Norbu
RM74.90
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The Mirror of Gesture- Being the Abhinaya Darpana of Nandikesvara
The Mirror of Gesture- Being the Abhinaya Darpana of Nandikesvara
By Nandikesvara
RM85.60
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Sangita Sancintanam: Reflections on Art and Artistry (Celebrating Ten Glorious Years of the Naada Bindu Festival 2021)
Sangita Sancintanam: Reflections on Art and Artistry (Celebrating Ten Glorious Years of the Naada Bindu Festival 2021)
By Edited By Swapnil Chaphekar, Ramakrishna Pejathaya
RM107
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THE JOY OF CLASSICAL DANCES OF INDIA
THE JOY OF CLASSICAL DANCES OF INDIA
By Leela Samson, Illustrated By Jagdish Joshi
RM107
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Karma Dance- Monograph
Karma Dance- Monograph
By Vandana Dutta
RM112
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Folk Plays and Dances of Kerala
Folk Plays and Dances of Kerala
By M. D. Raghavan
RM112
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Samsara- The Revived Glory of Indian Art Forms
Samsara- The Revived Glory of Indian Art Forms
By Aleena Anabelly. A
RM84
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A Comprehensive Dictionary of Bharatnatyam
A Comprehensive Dictionary of Bharatnatyam
By Vidya Bhavani Suresh
RM112
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Sangeet Natak- Volume XLVII, Numbers 1-4, 2013
Sangeet Natak- Volume XLVII, Numbers 1-4, 2013
By A. Chatterjee
RM84
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Sangeet Natak- Volume XLVIII, Number 1-4,2014
Sangeet Natak- Volume XLVIII, Number 1-4,2014
By Sunil Kothari
RM84
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The Mirror of Gesture- Being the Abhinaya Darpana of Nandikesvara
The Mirror of Gesture- Being the Abhinaya Darpana of Nandikesvara
By Nandikesvara
RM92.80
RM116 20% off
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Kuchipudi- Dances of India
Kuchipudi- Dances of India
By Raja & Radha Reddy
RM116
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An Insight into Kathak
An Insight into Kathak
By Manjiri Shreeram Deo
RM116
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Togor's Dance- Drama Omnibus
Togor's Dance- Drama Omnibus
By Utpal K. Banerjee
RM116
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Nayana-Savana (A Creative Appreciation of the Artistic Works of Dr. Padma Subrahmanyam)
Nayana-Savana (A Creative Appreciation of the Artistic Works of Dr. Padma Subrahmanyam)
By R. Ganesh, Arjun Bharadwaj
RM121
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Music-Dance and Musical Instruments: During The Period of Nayakas (1673-1732)
Music-Dance and Musical Instruments: During The Period of Nayakas (1673-1732)
By Dr. K. Kusuma Bai
RM121
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Cultural Rhythms in Emotions, Narratives and Dance
Cultural Rhythms in Emotions, Narratives and Dance
By Nita Mathur
RM121
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History of Indian Music (With Particular Reference to Theory and Practice)
History of Indian Music (With Particular Reference to Theory and Practice)
By Bhavanrav A. Pingle
RM121
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A Peep into Yaksagana and Sanskrit Dramaturgy
A Peep into Yaksagana and Sanskrit Dramaturgy
By Dr. G.S. Hegde
RM121
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Approach To Bharathanatyam
Approach To Bharathanatyam
By Dr. S. Bhayalekshmy
RM121
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Dancing in the Family: The Extraordinary Story of the First Family of Indian Classical Dance
Dancing in the Family: The Extraordinary Story of the First Family of Indian Classical Dance
By Sukanya Rahman
RM125
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Dance Theatre of India - Crossing New Aesthetics and Cultures
Dance Theatre of India - Crossing New Aesthetics and Cultures
By Katia Legeret-Manochhaya
RM125
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Leave Disco Dancer Alone (Indian Cinema and Soviet Movie-Going After Stalin)
Leave Disco Dancer Alone (Indian Cinema and Soviet Movie-Going After Stalin)
By Sudha Rajagopalan
RM125
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Nartanam- A Quarterly Journal of Indian Dance, October- December 2016 (Vol-XVI)
Nartanam- A Quarterly Journal of Indian Dance, October- December 2016 (Vol-XVI)
Publisher Sahrdaya Arts Trust, Hyderabad
RM130
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Music Of Krishnanattam (A Leading Dance Drama of Kerala)
Music Of Krishnanattam (A Leading Dance Drama of Kerala)
By T.V. Manikandan
RM104
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Bharata’s Natyasastram (Chapters VI and VII: Rasa and Bhava)
Bharata’s Natyasastram (Chapters VI and VII: Rasa and Bhava)
By M. Sivakumara Swamy
RM130
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Mohiniyattam (Bharati Shivaji and Vijayalakshmi)
Mohiniyattam (Bharati Shivaji and Vijayalakshmi)
By Bharati Shivaji & Vijayalakshmi
RM130
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Odissi (Sharon Lowen)
Odissi (Sharon Lowen)
By Alka Raghuvanshi
RM130
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Bharatanatyam (Prathibha Prahlad)
Bharatanatyam (Prathibha Prahlad)
By Alka Raghuvanshi
RM130
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Odissi Dance
Odissi Dance
By Dhirendranath Patnaik
RM134
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अंग काव्य: Ang Kavya- Nomenclature for Band Movements and Feet Positions in Kathak
अंग काव्य: Ang Kavya- Nomenclature for Band Movements and Feet Positions in Kathak
By Birju Maharaj
RM134
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The Mirror of Gesture Being the Abhinaya Darpana of Nandikesvara
The Mirror of Gesture Being the Abhinaya Darpana of Nandikesvara
By Ananda K. Coomaraswamy, Gopala Kristnayya Duggiralla
RM134
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Uparupaka-s in Indian Performing Art
Uparupaka-s in Indian Performing Art
By Deepti Omchery Bhalla
RM134
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Nritta Manjari
Nritta Manjari
By Leela Row
RM87.10
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RM134 35% off
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Repertoire of Kathak In the Various Historical Eras
Repertoire of Kathak In the Various Historical Eras
By Mansi Saxena
RM134
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छउ नृत्य कला: Chhau Dance Form
छउ नृत्य कला: Chhau Dance Form
By बदरी प्रसाद (Badri Prasad)
RM134
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
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    New Delhi 110049, India
    Tel: +91 92178 43827
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