BOOKS ON INDIAN CLASSICAL & FOLK DANCE

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Показано с 1 до 72 из 319 результатов
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Dance like a Man
Dance like a Man
By Mahesh Dattani
₽595
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KELUCHARAN MOHAPATRA: The Dancing Phenomenon
KELUCHARAN MOHAPATRA: The Dancing Phenomenon
By Text: Sharon Lowen, Photographs: Avinash Pasricha
₽1159
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Birju Maharaj: The Dancing Phenomenon (Pocket Art Series)
Birju Maharaj: The Dancing Phenomenon (Pocket Art Series)
By Text: Leela Venkataraman & Photographs: Avinash Pasricha
₽1159
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Sangeet Natak- Journal of The Sangeet Natak 72-73 (An Old and Rare Book)
Sangeet Natak- Journal of The Sangeet Natak 72-73 (An Old and Rare Book)
Publisher SANGEET NATAK AKADEMI
₽1236
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Sangeet Natak- Journal of The Sangeet Natak Akademi-23 (An Old and Rare Book)
Sangeet Natak- Journal of The Sangeet Natak Akademi-23 (An Old and Rare Book)
By Uma Anand
₽1236
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Sangeet Natak- Journal of The Sangeet Natak Akademy -26 (An Old and Rare Book)
Sangeet Natak- Journal of The Sangeet Natak Akademy -26 (An Old and Rare Book)
By Uma Anand
₽1314
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Sangeet Natak- Journal of The Sangeet Natak Akademi-24 (An Old and Rare Book)
Sangeet Natak- Journal of The Sangeet Natak Akademi-24 (An Old and Rare Book)
By Uma Anand
₽1314
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Sangeet Natak - Number 76 April 1985
Sangeet Natak - Number 76 April 1985
Publisher SANGEET NATAK AKADEMI, DELHI
₽985.50
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Sangeet Natak- Numbers 85-86 July - December 1987 (An Old and Rare Book
Sangeet Natak- Numbers 85-86 July - December 1987 (An Old and Rare Book
By A. Chatterjee
₽985.50
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Famous Great Indian Musicians and Dancers
Famous Great Indian Musicians and Dancers
By Shyam Dua
₽1051.20
₽1314 20% off
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Celebrating Folk and Tribal Forms (Sangeet Natak- Volume XLIX, Numbers 3-4-2015)
Celebrating Folk and Tribal Forms (Sangeet Natak- Volume XLIX, Numbers 3-4-2015)
By V.R. Devika
₽1391
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Tribune System of Classification (An Old and Rare Book)
Tribune System of Classification (An Old and Rare Book)
By BISWAJIT SINHA and ASHOK CHOUDHURY
₽1391
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Karanas: Cosmic Shiva 108 Bharatha Poses
Karanas: Cosmic Shiva 108 Bharatha Poses
Publisher Centre for the Promotion of Traditional Arts, Chennai
₽1391
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Manipuri Dances
Manipuri Dances
By Leela Row Dayal
₽904.15
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Bharatanatyam
Bharatanatyam
By Thankamani Kutty
₽1391
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Dance
Dance
By M Mukundan
₽1391
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Nalacharitham
Nalacharitham
By Unnayiwarrier and V. Subramaniaiyer
₽1545
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Modern Dance: Multifaceted Dimension (An Old and Rare Book)
Modern Dance: Multifaceted Dimension (An Old and Rare Book)
By Sruti Bandopadhyay
₽1545
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नृत्य भारती: Nritya Bharti (Practical Lessons on Indian Dance)
नृत्य भारती: Nritya Bharti (Practical Lessons on Indian Dance)
By आचार्य सुधाकर: (Acharya Sudhakar)
₽1545
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Indian Dances For Beginners
Indian Dances For Beginners
By Ram Avtar 'Vir'
₽1236
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A Dictionary of Kathakali
A Dictionary of Kathakali
By K. P. S. Menon
₽1545
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Folk Dances of Orissa (An Old and Rare Book)
Folk Dances of Orissa (An Old and Rare Book)
By Dhirendranath Patnaik
₽1623
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Kathak Dance Syllabi (Part One)
Kathak Dance Syllabi (Part One)
By Puru Dadheech
₽1623
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Introduction to Bharata's Natyasastra
Introduction to Bharata's Natyasastra
By Adya Rangacharya
₽1623
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Natya Yoga: Peace Passion Pain Mapping Emotions
Natya Yoga: Peace Passion Pain Mapping Emotions
By Anjali, R. Sriram
₽1700
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Special Issue- Prayog and Shastra (Sangeet Natak Volume, XLIX, Numbers 1-2, 2015
Special Issue- Prayog and Shastra (Sangeet Natak Volume, XLIX, Numbers 1-2, 2015
By Leela Venkataraman
₽1700
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Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
By Smt. Madhavi Rajagopalan
₽1700
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Gotipua Dance and Odissi Music (A Glorious Tradition)
Gotipua Dance and Odissi Music (A Glorious Tradition)
By Bishnu Mohan Kabi
₽1777
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Tala and Nattuvangam: A Theoretical and Practical Study
Tala and Nattuvangam: A Theoretical and Practical Study
By Sreekanth P. V
₽1777
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Sattriya The Living Dance Tradition of Assam
Sattriya The Living Dance Tradition of Assam
By Mallika Kandali
₽1777
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Introduction to Kathak- The indian Classical Dance
Introduction to Kathak- The indian Classical Dance
By Manjiri Shreeram Deo
₽1777
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Concept of Dance in Classical Sanskrit Literature
Concept of Dance in Classical Sanskrit Literature
By Dr. G. S. Hegde
₽1777
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Dance Gestures: Mirror of Expressions (Abhinaya Darpanam)
Dance Gestures: Mirror of Expressions (Abhinaya Darpanam)
By Nandikesvara
₽1777
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Disco Dancer – A Comedy in Five Acts
Disco Dancer – A Comedy in Five Acts
By Anuvab Pal
₽1421.60
₽1777 20% off
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Demsa- Dance of Andhra Pradesh (Monograph)
Demsa- Dance of Andhra Pradesh (Monograph)
By Jayadhir Thirmal Rao
₽1855
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Bharatanatyam Nrithya Darpana (The Basic Knowledge of Theory and Adavus)
Bharatanatyam Nrithya Darpana (The Basic Knowledge of Theory and Adavus)
By N. K. Pratap Sarkar
₽1855
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Zlos-Gar Performing Traditions of Tibet
Zlos-Gar Performing Traditions of Tibet
By Jamyang Norbu
₽1298.50
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The Mirror of Gesture- Being the Abhinaya Darpana of Nandikesvara
The Mirror of Gesture- Being the Abhinaya Darpana of Nandikesvara
By Nandikesvara
₽1484
₽1855 20% off
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Sangita Sancintanam: Reflections on Art and Artistry (Celebrating Ten Glorious Years of the Naada Bindu Festival 2021)
Sangita Sancintanam: Reflections on Art and Artistry (Celebrating Ten Glorious Years of the Naada Bindu Festival 2021)
By Edited By Swapnil Chaphekar, Ramakrishna Pejathaya
₽1855
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THE JOY OF CLASSICAL DANCES OF INDIA
THE JOY OF CLASSICAL DANCES OF INDIA
By Leela Samson, Illustrated By Jagdish Joshi
₽1855
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Karma Dance- Monograph
Karma Dance- Monograph
By Vandana Dutta
₽1932
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Folk Plays and Dances of Kerala
Folk Plays and Dances of Kerala
By M. D. Raghavan
₽1932
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Samsara- The Revived Glory of Indian Art Forms
Samsara- The Revived Glory of Indian Art Forms
By Aleena Anabelly. A
₽1932
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A Comprehensive Dictionary of Bharatnatyam
A Comprehensive Dictionary of Bharatnatyam
By Vidya Bhavani Suresh
₽1932
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Sangeet Natak- Volume XLVII, Numbers 1-4, 2013
Sangeet Natak- Volume XLVII, Numbers 1-4, 2013
By A. Chatterjee
₽1449
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Sangeet Natak- Volume XLVIII, Number 1-4,2014
Sangeet Natak- Volume XLVIII, Number 1-4,2014
By Sunil Kothari
₽1449
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The Mirror of Gesture- Being the Abhinaya Darpana of Nandikesvara
The Mirror of Gesture- Being the Abhinaya Darpana of Nandikesvara
By Nandikesvara
₽1607.20
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Kuchipudi- Dances of India
Kuchipudi- Dances of India
By Raja & Radha Reddy
₽2009
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An Insight into Kathak
An Insight into Kathak
By Manjiri Shreeram Deo
₽2009
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Togor's Dance- Drama Omnibus
Togor's Dance- Drama Omnibus
By Utpal K. Banerjee
₽2009
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Nayana-Savana (A Creative Appreciation of the Artistic Works of Dr. Padma Subrahmanyam)
Nayana-Savana (A Creative Appreciation of the Artistic Works of Dr. Padma Subrahmanyam)
By R. Ganesh, Arjun Bharadwaj
₽2086
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Music-Dance and Musical Instruments: During The Period of Nayakas (1673-1732)
Music-Dance and Musical Instruments: During The Period of Nayakas (1673-1732)
By Dr. K. Kusuma Bai
₽1460.20
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Cultural Rhythms in Emotions, Narratives and Dance
Cultural Rhythms in Emotions, Narratives and Dance
By Nita Mathur
₽2086
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History of Indian Music (With Particular Reference to Theory and Practice)
History of Indian Music (With Particular Reference to Theory and Practice)
By Bhavanrav A. Pingle
₽2086
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A Peep into Yaksagana and Sanskrit Dramaturgy
A Peep into Yaksagana and Sanskrit Dramaturgy
By Dr. G.S. Hegde
₽2086
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Approach To Bharathanatyam
Approach To Bharathanatyam
By Dr. S. Bhayalekshmy
₽2086
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Dancing in the Family: The Extraordinary Story of the First Family of Indian Classical Dance
Dancing in the Family: The Extraordinary Story of the First Family of Indian Classical Dance
By Sukanya Rahman
₽2164
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Dance Theatre of India - Crossing New Aesthetics and Cultures
Dance Theatre of India - Crossing New Aesthetics and Cultures
By Katia Legeret-Manochhaya
₽2164
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Leave Disco Dancer Alone (Indian Cinema and Soviet Movie-Going After Stalin)
Leave Disco Dancer Alone (Indian Cinema and Soviet Movie-Going After Stalin)
By Sudha Rajagopalan
₽2164
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Nartanam- A Quarterly Journal of Indian Dance, October- December 2016 (Vol-XVI)
Nartanam- A Quarterly Journal of Indian Dance, October- December 2016 (Vol-XVI)
Publisher Sahrdaya Arts Trust, Hyderabad
₽2241
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Music Of Krishnanattam (A Leading Dance Drama of Kerala)
Music Of Krishnanattam (A Leading Dance Drama of Kerala)
By T.V. Manikandan
₽1792.80
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Bharata’s Natyasastram (Chapters VI and VII: Rasa and Bhava)
Bharata’s Natyasastram (Chapters VI and VII: Rasa and Bhava)
By M. Sivakumara Swamy
₽2241
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Mohiniyattam (Bharati Shivaji and Vijayalakshmi)
Mohiniyattam (Bharati Shivaji and Vijayalakshmi)
By Bharati Shivaji & Vijayalakshmi
₽2241
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Odissi (Sharon Lowen)
Odissi (Sharon Lowen)
By Alka Raghuvanshi
₽2241
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Bharatanatyam (Prathibha Prahlad)
Bharatanatyam (Prathibha Prahlad)
By Alka Raghuvanshi
₽2241
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Odissi Dance
Odissi Dance
By Dhirendranath Patnaik
₽2318
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अंग काव्य: Ang Kavya- Nomenclature for Band Movements and Feet Positions in Kathak
अंग काव्य: Ang Kavya- Nomenclature for Band Movements and Feet Positions in Kathak
By Birju Maharaj
₽2318
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The Mirror of Gesture Being the Abhinaya Darpana of Nandikesvara
The Mirror of Gesture Being the Abhinaya Darpana of Nandikesvara
By Ananda K. Coomaraswamy, Gopala Kristnayya Duggiralla
₽2318
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Uparupaka-s in Indian Performing Art
Uparupaka-s in Indian Performing Art
By Deepti Omchery Bhalla
₽2318
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Nritta Manjari
Nritta Manjari
By Leela Row
₽1506.70
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₽2318 35% off
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Repertoire of Kathak In the Various Historical Eras
Repertoire of Kathak In the Various Historical Eras
By Mansi Saxena
₽2318
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छउ नृत्य कला: Chhau Dance Form
छउ नृत्य कला: Chhau Dance Form
By बदरी प्रसाद (Badri Prasad)
₽2318
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
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