BOOKS ON INDIAN MUSICAL INSTRUMENTS

Показано с 97 до 120 из 134 результатов
Показано с 97 до 120 из 134 результатов
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Karunamirtha Sagaram
Karunamirtha Sagaram
By Rao Sahib M. Abraham Pandither
AED104
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Karunamirtha Sagaram
Karunamirtha Sagaram
By Rao Sahib M. Abraham Pandither
AED97.60
AED122 20% off
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Cadence and Counter Point- Documenting Santal Musical Traditions
Cadence and Counter Point- Documenting Santal Musical Traditions
By Various Authors
AED163.20
AED204 20% off
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Guitar And Its Playing Technique
Guitar And Its Playing Technique
By Dipanker Roy Chaudhary
AED74
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Voice Culture- The Art of Voice Cultivation
Voice Culture- The Art of Voice Cultivation
By S. A. K. Durga
AED141
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Bihu Festival of Assam Music, Dance & Performance
Bihu Festival of Assam Music, Dance & Performance
By Utpola Borah
AED177.60
AED222 20% off
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Indian Orchestra Vadya-Vrinda (Origin and Growth)
Indian Orchestra Vadya-Vrinda (Origin and Growth)
By Pritam Kaur
AED156.80
AED196 20% off
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How To Play Tabla: Mridanga, Kongo, Bongo and Tabla Tarang
How To Play Tabla: Mridanga, Kongo, Bongo and Tabla Tarang
By Krishana Kumar Agrwal & Hazi Shabban Khan
AED89
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HARIPRASAD CHAURASIA: Romance of the Bamboo Reed (A Biography) (An Old and Rare Book)
HARIPRASAD CHAURASIA: Romance of the Bamboo Reed (A Biography) (An Old and Rare Book)
By Uma Vasudev
AED156
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Woman at the Window
Woman at the Window
By Shoma A. Chatterji
AED80
AED100 20% off
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Krishna's Musicians- Musicians and Music Making In The Temples of Nathdvara Rajasthan
Krishna's Musicians- Musicians and Music Making In The Temples of Nathdvara Rajasthan
By Anne Marie Gaston
AED189
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Compositions in Instrumental Music- with Notion (Tradition and New Creation)
Compositions in Instrumental Music- with Notion (Tradition and New Creation)
By Anupam Mahajan
AED222.40
AED278 20% off
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Plucked Instruments of Northern India with Special Reference to Sitar
Plucked Instruments of Northern India with Special Reference to Sitar
By Dr. Prateek Chaudhuri
AED168.80
AED211 20% off
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Folk Arts of Tamilnadu
Folk Arts of Tamilnadu
By Nanditha Krishna
AED63
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Music To Thy Ears: Great Masters of Hindustani Instrumental Music
Music To Thy Ears: Great Masters of Hindustani Instrumental Music
By Mohan Nadkarni
AED126
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Art Education: Teachers’ Handbook For Classes VII-VIII
Art Education: Teachers’ Handbook For Classes VII-VIII
By Vineeta Rashid Khan
AED78
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New Instrumental Compositions For North Indian Music
New Instrumental Compositions For North Indian Music
By Anil Mihiripenna
AED189
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ADA Chowtal on Sitar (Anthology of a Poorav Baj)
ADA Chowtal on Sitar (Anthology of a Poorav Baj)
By S. Bandyopadhyaya
AED44.80
AED56 20% off
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Tabla and The World Of Indian Rhythms
Tabla and The World Of Indian Rhythms
By Sudhis Chandra Banerjee
AED196
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Krishna in Performing Arts
Krishna in Performing Arts
By Shovana Narayan
AED333
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Mridangam (An Indian Classical Percussion Drum)
Mridangam (An Indian Classical Percussion Drum)
By Shreejayanthi Gopal
AED104
AED130 20% off
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Fellows and Award-Winners of Sangeet Natak Akademi 1952-2010 (Citations and Composite Data)
Fellows and Award-Winners of Sangeet Natak Akademi 1952-2010 (Citations and Composite Data)
Publisher Sangeet Natak Akademi
AED174
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Temple Musical Instruments of Kerala
Temple Musical Instruments of Kerala
By L.S. Rajagopalan Edited byA. Purushothaman and A. Harindranath
AED104
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वीणा - वाणी: All About The Veena
वीणा - वाणी: All About The Veena
By ओमप्रकाश चौरसिया (Omprakash Chaurasiya)
AED148
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Related Content
Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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