BOOKS ON INDIAN MUSICAL INSTRUMENTS

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Instruments in Indian Musicology: Spiritual, Artistic and Philosophical Expression in Indian Knowledge System
Instruments in Indian Musicology: Spiritual, Artistic and Philosophical Expression in Indian Knowledge System
By Amrita Priyamvada
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Odishan Folk Music and Musical Instruments
Odishan Folk Music and Musical Instruments
By Krushna Chandra Das
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Utkaliya Pala
Utkaliya Pala
By JAGANNATH KUANR
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Song of the Clay Pot- My Journey with the Ghatam
Song of the Clay Pot- My Journey with the Ghatam
By Sumana Chandrashekar
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Ganamrutha Bodhini (Sangeetha Bala Padam)
Ganamrutha Bodhini (Sangeetha Bala Padam)
By A. S. Panchapakesa Iyer
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Tabla Of Farrukhabad Gharana
Tabla Of Farrukhabad Gharana
By Anup Ghosh
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Learn to Play the Harmonium (Set of 4 Books)
Learn to Play the Harmonium (Set of 4 Books)
By Various Authors
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Sitar and Its Compositions (Set Of 2 Volumes) (An Old and Rare Book)
Sitar and Its Compositions (Set Of 2 Volumes) (An Old and Rare Book)
By V. K. Aggarwal and Alka Nagpal
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Handbook of Bansuri (Flute): History, Anatomy, Learning, Maintenance
Handbook of Bansuri (Flute): History, Anatomy, Learning, Maintenance
By Pankaj+Vishal
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Veena: The Instrument Par-Excellence (With Notation)
Veena: The Instrument Par-Excellence (With Notation)
By Vainika Vidwan and C.K. Shankara Narayana Rao
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The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
By Allyn Miner
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Tamizh Padams
Tamizh Padams
By Nandini Ramani
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Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
By S.V. Leela
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The Bandishes of Tabla (An Anthology of Rhythmic Compositions in Teen Taal)
The Bandishes of Tabla (An Anthology of Rhythmic Compositions in Teen Taal)
By Prajapati Deep
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Tabla (Rare Compositions of The Great Masters)
Tabla (Rare Compositions of The Great Masters)
By Pt. Vijay Shanker Mishra
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Compositions of The Great Tabla Maestros (Splendid and Rare Collection of the Compositions of Tabla Legends of Various Gharanas)
Compositions of The Great Tabla Maestros (Splendid and Rare Collection of the Compositions of Tabla Legends of Various Gharanas)
By Dr. S. R. Chishti
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Music-Dance and Musical Instruments: During The Period of Nayakas (1673-1732)
Music-Dance and Musical Instruments: During The Period of Nayakas (1673-1732)
By Dr. K. Kusuma Bai
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Learn How to Play Sitar- With Notations (Sitar Vadan Course)
Learn How to Play Sitar- With Notations (Sitar Vadan Course)
By Bharti Agarwal
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Learn How to Play Harmonium (Learn Harmonium in Fifteen Days)
Learn How to Play Harmonium (Learn Harmonium in Fifteen Days)
By Bharti Agrawal
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The Story of Indian Music and its Instruments (A Study of the Present and a Record of the Past)
The Story of Indian Music and its Instruments (A Study of the Present and a Record of the Past)
By Ethel Rosenthal
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Nikhil Banerjee (Down The Heart of Sitar)
Nikhil Banerjee (Down The Heart of Sitar)
By Swapan Bandyopadhyay
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Learn to Play on Harmonium
Learn to Play on Harmonium
By Ram Avtar 'Vir'
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How To Play Harmonium & Synthesizer (With Notations)
How To Play Harmonium & Synthesizer (With Notations)
By Mamta Chaturvedi
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How To Play Sitar
How To Play Sitar
By Krishana Kumar Agrwal & Smt. Rama Babry
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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