BOOKS ON INDIAN MUSICAL INSTRUMENTS

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Mostrando 49 a 72 de 134 resultados
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Tabla for Advanced Students
Tabla for Advanced Students
By Sadanand Naimpalli
AU$53
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Musical Instruments
Musical Instruments
By B.C. Deva
AU$32
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Facets of Tabla Playing (With Notation)
Facets of Tabla Playing (With Notation)
By Pandit Ashis Sengupta
AU$55
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How To Play Sitar
How To Play Sitar
By Krishana Kumar Agrwal & Smt. Rama Babry
AU$40
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Krishna Theatre In India
Krishna Theatre In India
By M.L. Varadapande
AU$64
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Musical Instruments in Sculpture in Karnataka
Musical Instruments in Sculpture in Karnataka
By B. Chaitanya Deva
AU$22
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Learn to Play on Tabla-II (An Advance Course)
Learn to Play on Tabla-II (An Advance Course)
By Ram Avtar ‘Vir’
AU$35
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Exuberance of Indian Music (Sarod and Sarodists of Maihar Gharana)
Exuberance of Indian Music (Sarod and Sarodists of Maihar Gharana)
By Dr. Akash Deep
AU$72
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Instruments in Hindustani Classical Music (Role and Performance)
Instruments in Hindustani Classical Music (Role and Performance)
By Dr. Sumita Chakravorty
AU$65.25
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The Origin and Evolution of Violin – As a Musical Instrument: And Its Contribution to the Progressive Flow of Indian Classical Music
The Origin and Evolution of Violin – As a Musical Instrument: And Its Contribution to the Progressive Flow of Indian Classical Music
By Sisirkana Dhar Choudhury
AU$59
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Learn to Play on Tabla
Learn to Play on Tabla
By Ram Avtar 'Vir'
AU$22.40
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Learn to Play on Sitar
Learn to Play on Sitar
By Ram Avtar 'Vir'
AU$32
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Handbook of Tabla (History, Anatomy, Learning, Maintenance)
Handbook of Tabla (History, Anatomy, Learning, Maintenance)
By Pankaj Vishal
AU$29
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Musical Instruments of India: History and Development
Musical Instruments of India: History and Development
By Ram Avtaar 'Vir'
AU$47
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The History of Musical Instruments
The History of Musical Instruments
By Edited By Curt Sachs
AU$130
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Complete Tabla
Complete Tabla
By Amod Dandage
AU$43
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Professor Sudhir Kumar Saxena Centenary Celebrations
Professor Sudhir Kumar Saxena Centenary Celebrations
By Edited By Manjula Saxena
AU$48
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Sitar and Sarod in the 18th and 19th Centuries
Sitar and Sarod in the 18th and 19th Centuries
By Allyn Miner
AU$61
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Rhythm Roots: Explore Indian Rhythms (Based on the Curriculum of the Prarambhik, Praveshika Pratham and Praveshika Purna of Abgmv Mandal)
Rhythm Roots: Explore Indian Rhythms (Based on the Curriculum of the Prarambhik, Praveshika Pratham and Praveshika Purna of Abgmv Mandal)
By Amod Dandage
AU$39
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Fifty Tunes Composed and Set to Music, Taravati a Tale and the Twenty-Two Musical Srutis of the Hindus
Fifty Tunes Composed and Set to Music, Taravati a Tale and the Twenty-Two Musical Srutis of the Hindus
By Sourindro Mohun Tagore
AU$47.20
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The Art of Tabla Rhythm Essentials, Tradition and Creativity (With CD)
The Art of Tabla Rhythm Essentials, Tradition and Creativity (With CD)
By SUDHIR KUMAR SAXENA
AU$48
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Music of the Nations (A Comparative Study)
Music of the Nations (A Comparative Study)
By Paramahamsa Prajnanananda
AU$45
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Techniques of Sitar- The Prince Among All Musical Instruments of India (With Notations)
Techniques of Sitar- The Prince Among All Musical Instruments of India (With Notations)
By S. Bandyopadhyaya
AU$105.60
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Playing Techniques of Tabla: Banaras Gharana (With Notation)
Playing Techniques of Tabla: Banaras Gharana (With Notation)
By Pandit Chhote Lal Misra
AU$60
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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