ORIGINAL TEXTS BOOKS ON PERFORMING ARTS

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The Dialogue of Awaara: Raj Kapoor’ Immortal Classic (Original Dialogue Transcribed in Urdu and Roman Scripts)
The Dialogue of Awaara: Raj Kapoor’ Immortal Classic (Original Dialogue Transcribed in Urdu and Roman Scripts)
By K.A. Abbas and V.P. Sathe
₽4512.80
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The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
By Allyn Miner
₽3323
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Types of Dramatic Representations in Sanskrit
Types of Dramatic Representations in Sanskrit
By Dr. Kamlesh Birmani
₽1314
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Natyasastra in the Modern World (Proceedings of the 15th World Sanskrit Conference)
Natyasastra in the Modern World (Proceedings of the 15th World Sanskrit Conference)
By Radha Vallabh Tripathi
₽2859
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संस्कृतनाट्यकोश: Sanskrit Natya Kosha (Set of 2 Volumes)
संस्कृतनाट्यकोश: Sanskrit Natya Kosha (Set of 2 Volumes)
By डा. रामसागर त्रिपाठी (Dr. Ramsagar Tripathi)
₽6981.65
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नाट्यत्रयी : Three Sanskrit Plays
नाट्यत्रयी : Three Sanskrit Plays
By रामकृष्ण शर्मा (Ramkrishna Sharma)
₽1298.40
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SACRED MUSIC Its Origins, Powers, and Future (Traditional Music in Today's World)
SACRED MUSIC Its Origins, Powers, and Future (Traditional Music in Today's World)
By Alain Danielou
₽2550
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The Celestial Nagasvaram (Origin, Myths, Reception and the Maestros)
The Celestial Nagasvaram (Origin, Myths, Reception and the Maestros)
By Geetha Rajagopal
₽2782
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संस्कृत के प्रमुख नाटककार तथा उनकी कृतियाँ: Principal Dramatists of Sanskrit and Their Works
संस्कृत के प्रमुख नाटककार तथा उनकी कृतियाँ: Principal Dramatists of Sanskrit and Their Works
By डॉ. गंगासागर राय (Dr. Ganga Sagar Rai)
₽3168
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3 Idiots (The Original Screenplay)
3 Idiots (The Original Screenplay)
By Rajkumar Hirani
₽2936
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THE TRADITIONAL SANSKRIT THEATRE OF KERALA (Calicut University Sanskrit Series No. 3)
THE TRADITIONAL SANSKRIT THEATRE OF KERALA (Calicut University Sanskrit Series No. 3)
By C. Rajendran
₽1082
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Lage Raho Munna Bhai (The Original Screenplay)
Lage Raho Munna Bhai (The Original Screenplay)
Publisher Om Books International
₽2086
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Sangitanarayana (A Seventeenth Century Text on Music and Dance from Orissa) (In Two Volumes)
Sangitanarayana (A Seventeenth Century Text on Music and Dance from Orissa) (In Two Volumes)
By Purusottama Misra,Enriched by Gajapati Narayanadevaand Edited and Translated by Mandakranta Bose
₽7805
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Ritual as Ideology (Text and Context In Teyyam)
Ritual as Ideology (Text and Context In Teyyam)
By Chandran T. V.
₽2936
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Tashrih-Ul-Moosiqui (Persian Translation of Tansen’s Original Work ‘Budh Prakash’)
Tashrih-Ul-Moosiqui (Persian Translation of Tansen’s Original Work ‘Budh Prakash’)
By Najma Perveen Ahmad
₽3786
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METATHEATER AND SANSKRIT DRAMA
METATHEATER AND SANSKRIT DRAMA
By Michael Lockwood&A. Vishnu Bhat
₽2241
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Saint-Composer Tyagaraja’s Nauka Caritramu – Geya Natika (A Musical Play) (Text, Transliteration and Translation)
Saint-Composer Tyagaraja’s Nauka Caritramu – Geya Natika (A Musical Play) (Text, Transliteration and Translation)
By C. Vasundhara
₽2705
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Sanskrit Drama in Performance
Sanskrit Drama in Performance
By Rachel Van M. Baumer and James R. Brandon
₽2086
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Tamizh Padam-s (Notation, Tamizh - English Text, Meaning in English)
Tamizh Padam-s (Notation, Tamizh - English Text, Meaning in English)
By Smt. Madhavi Rajagopalan
₽2009
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The Ramayana Culture: Text, Performance and Iconography
The Ramayana Culture: Text, Performance and Iconography
By Edited By: Mandakranta Bose
₽2241
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संस्कृत नाट्यशिल्प और रंगमंच: Sanskrit Natyashilpa and Theatre (An Old and Rare Book)
संस्कृत नाट्यशिल्प और रंगमंच: Sanskrit Natyashilpa and Theatre (An Old and Rare Book)
By राम चन्द्र सरोज (Ram Chandra Saroj)
₽3168
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The Origin Of Raga
The Origin Of Raga
By S. Bandyopadhyaya
₽1932
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Kridaniyakam (Myriad Aspects of Comedy in Sanskrit Drama)
Kridaniyakam (Myriad Aspects of Comedy in Sanskrit Drama)
By N.K. Geetha
₽2705
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Theatric Aspects of Sanskrit Drama (Rare Book)
Theatric Aspects of Sanskrit Drama (Rare Book)
By G.K. Bhat
₽2550
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
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