ORIGINAL TEXTS BOOKS ON PERFORMING ARTS

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The Dialogue of Awaara: Raj Kapoor’ Immortal Classic (Original Dialogue Transcribed in Urdu and Roman Scripts)
The Dialogue of Awaara: Raj Kapoor’ Immortal Classic (Original Dialogue Transcribed in Urdu and Roman Scripts)
By K.A. Abbas and V.P. Sathe
CHF47.20
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The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
The Sangitopanisat-Saroddharah (A Fourteenth-Century Text on Music from Western India)
By Allyn Miner
CHF35
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Types of Dramatic Representations in Sanskrit
Types of Dramatic Representations in Sanskrit
By Dr. Kamlesh Birmani
CHF14
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Natyasastra in the Modern World (Proceedings of the 15th World Sanskrit Conference)
Natyasastra in the Modern World (Proceedings of the 15th World Sanskrit Conference)
By Radha Vallabh Tripathi
CHF30
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संस्कृतनाट्यकोश: Sanskrit Natya Kosha (Set of 2 Volumes)
संस्कृतनाट्यकोश: Sanskrit Natya Kosha (Set of 2 Volumes)
By डा. रामसागर त्रिपाठी (Dr. Ramsagar Tripathi)
CHF72.80
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नाट्यत्रयी : Three Sanskrit Plays
नाट्यत्रयी : Three Sanskrit Plays
By रामकृष्ण शर्मा (Ramkrishna Sharma)
CHF13.60
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SACRED MUSIC Its Origins, Powers, and Future (Traditional Music in Today's World)
SACRED MUSIC Its Origins, Powers, and Future (Traditional Music in Today's World)
By Alain Danielou
CHF27
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The Celestial Nagasvaram (Origin, Myths, Reception and the Maestros)
The Celestial Nagasvaram (Origin, Myths, Reception and the Maestros)
By Geetha Rajagopal
CHF29
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संस्कृत के प्रमुख नाटककार तथा उनकी कृतियाँ: Principal Dramatists of Sanskrit and Their Works
संस्कृत के प्रमुख नाटककार तथा उनकी कृतियाँ: Principal Dramatists of Sanskrit and Their Works
By डॉ. गंगासागर राय (Dr. Ganga Sagar Rai)
CHF33
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3 Idiots (The Original Screenplay)
3 Idiots (The Original Screenplay)
By Rajkumar Hirani
CHF31
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THE TRADITIONAL SANSKRIT THEATRE OF KERALA (Calicut University Sanskrit Series No. 3)
THE TRADITIONAL SANSKRIT THEATRE OF KERALA (Calicut University Sanskrit Series No. 3)
By C. Rajendran
CHF11
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Lage Raho Munna Bhai (The Original Screenplay)
Lage Raho Munna Bhai (The Original Screenplay)
Publisher Om Books International
CHF22
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Sangitanarayana (A Seventeenth Century Text on Music and Dance from Orissa) (In Two Volumes)
Sangitanarayana (A Seventeenth Century Text on Music and Dance from Orissa) (In Two Volumes)
By Purusottama Misra,Enriched by Gajapati Narayanadevaand Edited and Translated by Mandakranta Bose
CHF81
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Ritual as Ideology (Text and Context In Teyyam)
Ritual as Ideology (Text and Context In Teyyam)
By Chandran T. V.
CHF31
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Tashrih-Ul-Moosiqui (Persian Translation of Tansen’s Original Work ‘Budh Prakash’)
Tashrih-Ul-Moosiqui (Persian Translation of Tansen’s Original Work ‘Budh Prakash’)
By Najma Perveen Ahmad
CHF39
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METATHEATER AND SANSKRIT DRAMA
METATHEATER AND SANSKRIT DRAMA
By Michael Lockwood&A. Vishnu Bhat
CHF23
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Saint-Composer Tyagaraja’s Nauka Caritramu – Geya Natika (A Musical Play) (Text, Transliteration and Translation)
Saint-Composer Tyagaraja’s Nauka Caritramu – Geya Natika (A Musical Play) (Text, Transliteration and Translation)
By C. Vasundhara
CHF28
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Sanskrit Drama in Performance
Sanskrit Drama in Performance
By Rachel Van M. Baumer and James R. Brandon
CHF22
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Tamizh Padam-s (Notation, Tamizh - English Text, Meaning in English)
Tamizh Padam-s (Notation, Tamizh - English Text, Meaning in English)
By Smt. Madhavi Rajagopalan
CHF21
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The Ramayana Culture: Text, Performance and Iconography
The Ramayana Culture: Text, Performance and Iconography
By Edited By: Mandakranta Bose
CHF23
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संस्कृत नाट्यशिल्प और रंगमंच: Sanskrit Natyashilpa and Theatre (An Old and Rare Book)
संस्कृत नाट्यशिल्प और रंगमंच: Sanskrit Natyashilpa and Theatre (An Old and Rare Book)
By राम चन्द्र सरोज (Ram Chandra Saroj)
CHF33
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The Origin Of Raga
The Origin Of Raga
By S. Bandyopadhyaya
CHF20
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Kridaniyakam (Myriad Aspects of Comedy in Sanskrit Drama)
Kridaniyakam (Myriad Aspects of Comedy in Sanskrit Drama)
By N.K. Geetha
CHF28
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Theatric Aspects of Sanskrit Drama (Rare Book)
Theatric Aspects of Sanskrit Drama (Rare Book)
By G.K. Bhat
CHF27
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Muthuswamy Dikshitar Compositions (Edited With Text and Notation of Select Compostions)
Muthuswamy Dikshitar Compositions (Edited With Text and Notation of Select Compostions)
By Dr. S. Bhagyalekshmy & Dr. M. N. Moorthy
CHF23
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The Laws and Practice of Sanskrit Drama (An Old and Rare Book)
The Laws and Practice of Sanskrit Drama (An Old and Rare Book)
By Surendra Nath Shastri
CHF35
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Sanskrit Drama (Its Aesthetics and Production) (A Rare Book)
Sanskrit Drama (Its Aesthetics and Production) (A Rare Book)
By V. Raghavan
CHF39
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Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
Rare Music and Dance Composition of King Sahaji of Thanjavur (With Notation, Text and Meanings)
By Smt. Madhavi Rajagopalan
CHF19
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Yaksagana and it's Sanskrit Sources (An Old and Rare Book)
Yaksagana and it's Sanskrit Sources (An Old and Rare Book)
By Dr. G. S. Hegde
CHF35
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Classical Sanskrit Prosody
Classical Sanskrit Prosody
By Dr. K.Yedukondalu
CHF39
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Tagore's Ballad on The Sun - Lion (Translated from the Brajabuli Original Bhanusingher Padabali by Rabindranath Taogre)
Tagore's Ballad on The Sun - Lion (Translated from the Brajabuli Original Bhanusingher Padabali by Rabindranath Taogre)
By Utpal K. Banerjee
CHF19
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Concept of Dance in Classical Sanskrit Literature
Concept of Dance in Classical Sanskrit Literature
By Dr. G. S. Hegde
CHF19
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संस्कृत के प्रतीकात्मक नाटक: Symbolic Plays in Sanskrit
संस्कृत के प्रतीकात्मक नाटक: Symbolic Plays in Sanskrit
By डॉ. आशारानी त्रिपाठी (Dr. Asharani Tripathi)
CHF29
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संस्कृत नाट्य साहित्य में समाज चित्रण: Partrayal of Society in Sanskrit Natya Literature
संस्कृत नाट्य साहित्य में समाज चित्रण: Partrayal of Society in Sanskrit Natya Literature
By डॉ. जीत सिंह 'खोखर' (Dr. Jeet Singh ' Shokhar')
CHF17
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Vyangyavyakhya: The Aesthetics of Dhvani in Teatre (Sanskrit Text with Transliteration and English Translation)
Vyangyavyakhya: The Aesthetics of Dhvani in Teatre (Sanskrit Text with Transliteration and English Translation)
By K.G. Paulose
CHF28
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Sanskrit Play Production In Ancient India (An Old and Rare Book)
Sanskrit Play Production In Ancient India (An Old and Rare Book)
By Tarla Mehta
CHF32
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A Peep into Yaksagana and Sanskrit Dramaturgy
A Peep into Yaksagana and Sanskrit Dramaturgy
By Dr. G.S. Hegde
CHF23
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तबले का उद्गम, विकास और वादन शैलियाँ The Origin and Development of The Tabla and Methods of Playing
तबले का उद्गम, विकास और वादन शैलियाँ The Origin and Development of The Tabla and Methods of Playing
By योगमाया शुक्ल (Yogmaya Sukla)
CHF29
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A Companion to Indian Music and Dance - Spanning a Period of Over Three Thousand Years and Based Mainly on Sanskrit Sources (An Old Book)
A Companion to Indian Music and Dance - Spanning a Period of Over Three Thousand Years and Based Mainly on Sanskrit Sources (An Old Book)
By Sures Chandra Banerji
CHF29
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भारतीय नाट्य सिध्दान्त - उद्भव और विकास (संस्कृत एवं हिंदी नाटकों के विशेष सन्दर्भ में): Principles of Indian Theatre - Origin and Development (A Rare Book)
भारतीय नाट्य सिध्दान्त - उद्भव और विकास (संस्कृत एवं हिंदी नाटकों के विशेष सन्दर्भ में): Principles of Indian Theatre - Origin and Development (A Rare Book)
By डॉ. रामजी पाण्डेय (Dr. Ramji Pandey)
CHF46
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Text Book of Dance
Text Book of Dance
By Gyanendra Dutt Bajpai
CHF28
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Abhinaya Darpanam (Sanskrit Text with English Translation)
Abhinaya Darpanam (Sanskrit Text with English Translation)
By Manmohan Ghosh
CHF19
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Kuchipudi Dance in Textual Form
Kuchipudi Dance in Textual Form
By P. Rama Devi
CHF27
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The Sanskrit Theatre and Stagecraft (An Old and Rare Book)
The Sanskrit Theatre and Stagecraft (An Old and Rare Book)
By E.W. Marasinghe
CHF52
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A Confluence of Indian Dance Drama and Text
A Confluence of Indian Dance Drama and Text
By Utpal K Banerjee
CHF57
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Indian Music: Its Origin, History and Characteristics
Indian Music: Its Origin, History and Characteristics
By M. Vijay Laxmi
CHF18.90
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The Importance of Tone, Tune, and Text in Indian Music
The Importance of Tone, Tune, and Text in Indian Music
By Dr. Debashree Bhattacharya
CHF39
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Le Gitalamkara L'ouvrage Original de Bharata Sur La Musique (French Translation of the Book : On the Theory of Music, Critically Edited)
Le Gitalamkara L'ouvrage Original de Bharata Sur La Musique (French Translation of the Book : On the Theory of Music, Critically Edited)
By N.R. Bhatt
CHF29
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
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    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
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    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
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