BOOKS ON INDIAN RAGAS

Affichage de 1 à 24 sur 69 résultats
Affichage de 1 à 24 sur 69 résultats
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Raga'n Josh (Stories from a Musical Life)
Raga'n Josh (Stories from a Musical Life)
By Sheila Dhar
€49
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Ragalaksanam (With Roman)
Ragalaksanam (With Roman)
By R. Sathyanarayana
€55,20
€69 20% off
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Somanatha's Ragavibodha (Critically Edited and Translated) - With CD
Somanatha's Ragavibodha (Critically Edited and Translated) - With CD
By Ranganayaki V. Ayyangar
€109
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Romance of the Raga
Romance of the Raga
By Vijaya Moorthy
€43,55
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€67 35% off
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राग जिज्ञासा: Raga Jijnasa
राग जिज्ञासा: Raga Jijnasa
By देवेन्द्रनाथ शुक्ल (Devendra Nath Shukla)
€46
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Rig - 3 (Raga Identification Guide)
Rig - 3 (Raga Identification Guide)
By K. Balasubramaniam
€24
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रागार्णवम् (रागचन्द्रिका व्याख्या सहित): Ragarnavam -With Ragacandrika Vyakhya (With Notation)
रागार्णवम् (रागचन्द्रिका व्याख्या सहित): Ragarnavam -With Ragacandrika Vyakhya (With Notation)
By भगवतशरण शुक्ल (Bhagavatsharan Shukla)
€48
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The Origin Of Raga
The Origin Of Raga
By S. Bandyopadhyaya
€32
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राग कोष (1,438 रागों का विवरण): Raag Kosha (A Dictionary of 1,438 Indian Ragas)
राग कोष (1,438 रागों का विवरण): Raag Kosha (A Dictionary of 1,438 Indian Ragas)
By वसंत: (Vasant)
€40
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The Raga-ness of Ragas (Ragas Beyond the Grammar)
The Raga-ness of Ragas (Ragas Beyond the Grammar)
By Deepak S. Raja
€73
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राग विशारद: Raga Visharad (With Notation)
राग विशारद: Raga Visharad (With Notation)
By लक्ष्मी नारायण गर्ग (Lakshmi Narayan Garg)
€92
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Theory Of Indian Music (The First Book Containing The Sentiments, Their Effects On Shrutis, Notes And Ragas In Ornamental Shape Along With Formation And Manner Of Display)
Theory Of Indian Music (The First Book Containing The Sentiments, Their Effects On Shrutis, Notes And Ragas In Ornamental Shape Along With Formation And Manner Of Display)
By RAM AVTAR 'VIR
€40
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Hindustani Raga-s Index (Bibliographical References on Descriptions, Compositions and Vistara-s of Hindustani Ragas)
Hindustani Raga-s Index (Bibliographical References on Descriptions, Compositions and Vistara-s of Hindustani Ragas)
By Patrick Moutal
€40
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Ragas and Raginis
Ragas and Raginis
By O.C.Gangoly
€55
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Tarjuma-i-Manakutuhala and Risala-i-Ragadarpana
Tarjuma-i-Manakutuhala and Risala-i-Ragadarpana
By Faqirullah (Nawab Saif Khan)
€68
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Nyasa in Raga: The Pleasant Pause in Hindustani Music (An Old and Rare Book)
Nyasa in Raga: The Pleasant Pause in Hindustani Music (An Old and Rare Book)
By Dr. Ananya Kumar Dey
€62
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राग विबोध मिश्रबानी: Raga Vibodha Mishra Vani (Set of 2 Volumes) (With Notations)
राग विबोध मिश्रबानी: Raga Vibodha Mishra Vani (Set of 2 Volumes) (With Notations)
By डॉ. रागिनी त्रिवेदी (Dr. Ragini Trivedi)
€94
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Music and Medicine (Healing Brain Injury Through Ragas - A Study)
Music and Medicine (Healing Brain Injury Through Ragas - A Study)
By Shashi Bhushan Singh
€33
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Raga Mudras in Dikshitar Kritis
Raga Mudras in Dikshitar Kritis
By Dr. K. Omanakutty
€28
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Lyrics For Rare Janya Ragas
Lyrics For Rare Janya Ragas
Publisher K. S. Muthuswamy
€53
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Ganamrutha Bodhini (Sangeetha Bala Padam)
Ganamrutha Bodhini (Sangeetha Bala Padam)
By A. S. Panchapakesa Iyer
€41
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Evolution of Raga and Tala in Indian Music
Evolution of Raga and Tala in Indian Music
By M.R. Gautam
€40
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North Indian Instrumental Music Ragas (for Higher Studies)
North Indian Instrumental Music Ragas (for Higher Studies)
By Dr. Prateek Chaudhari
€86
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The Ragas of Northern Indian Music
The Ragas of Northern Indian Music
By Alain Danielou
€69
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Related Content
Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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