BOOKS ON INDIAN RAGAS

Показано с 49 до 69 из 69 результатов
Показано с 49 до 69 из 69 результатов
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Rajapujita Ramyam- Stuti Gitams- Madhurai. Sri. G. S. Mani's 101 Sanskrit Compositions (With Notations)
Rajapujita Ramyam- Stuti Gitams- Madhurai. Sri. G. S. Mani's 101 Sanskrit Compositions (With Notations)
By Usha Prasad
CA$59
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Raga & Music in the Sikh Holy Scriptures
Raga & Music in the Sikh Holy Scriptures
By Savita Bakshi
CA$63
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String Compositions of Twentieth Century
String Compositions of Twentieth Century
By Pushpa Basu
CA$197
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Swaranjanee: Compositions in Night Raags of North Indian Classical Music (with Notation, Song-Text Meaning & Audio C.D.)
Swaranjanee: Compositions in Night Raags of North Indian Classical Music (with Notation, Song-Text Meaning & Audio C.D.)
By Prabha Atre
CA$157.60
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Rag-Dhun Dictionary- A Lexicon of Melodic Scales of Indian Music (Set of Two Volumes)
Rag-Dhun Dictionary- A Lexicon of Melodic Scales of Indian Music (Set of Two Volumes)
By R. K. Das
CA$90.40
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"राग ज्ञान"- Wisdom of Raga (Elucidation of Indian Airs)
"राग ज्ञान"- Wisdom of Raga (Elucidation of Indian Airs)
By S. Bandyopadhyaya
CA$104
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History of Indian Music (With Particular Reference to Theory and Practice)
History of Indian Music (With Particular Reference to Theory and Practice)
By Bhavanrav A. Pingle
CA$40
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Rag- Rang- Ras
Rag- Rang- Ras
By Alka V. Kade
CA$56
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Nyasa in Raga: The Pleasant Pause in Hindustani Music (An Old and Rare Book)
Nyasa in Raga: The Pleasant Pause in Hindustani Music (An Old and Rare Book)
By Dr. Ananya Kumar Dey
CA$69
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Ragas and Raginis
Ragas and Raginis
By O.C.Gangoly
CA$61
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The Raga-ness of Ragas (Ragas Beyond the Grammar)
The Raga-ness of Ragas (Ragas Beyond the Grammar)
By Deepak S. Raja
CA$81
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The Origin Of Raga
The Origin Of Raga
By S. Bandyopadhyaya
CA$36
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Ragalaksanam (With Roman)
Ragalaksanam (With Roman)
By R. Sathyanarayana
CA$61.60
CA$77 20% off
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Raga'n Josh (Stories from a Musical Life)
Raga'n Josh (Stories from a Musical Life)
By Sheila Dhar
CA$54
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Lyrics For Rare Janya Ragas
Lyrics For Rare Janya Ragas
Publisher K. S. Muthuswamy
CA$59
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राग विबोध मिश्रबानी: Raga Vibodha Mishra Vani (Set of 2 Volumes) (With Notations)
राग विबोध मिश्रबानी: Raga Vibodha Mishra Vani (Set of 2 Volumes) (With Notations)
By डॉ. रागिनी त्रिवेदी (Dr. Ragini Trivedi)
CA$104
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राग विशारद: Raga Visharad (With Notation)
राग विशारद: Raga Visharad (With Notation)
By लक्ष्मी नारायण गर्ग (Lakshmi Narayan Garg)
CA$103
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राग कोष (1,438 रागों का विवरण): Raag Kosha (A Dictionary of 1,438 Indian Ragas)
राग कोष (1,438 रागों का विवरण): Raag Kosha (A Dictionary of 1,438 Indian Ragas)
By वसंत: (Vasant)
CA$44
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Tarjuma-i-Manakutuhala and Risala-i-Ragadarpana
Tarjuma-i-Manakutuhala and Risala-i-Ragadarpana
By Faqirullah (Nawab Saif Khan)
CA$76
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रागार्णवम् (रागचन्द्रिका व्याख्या सहित): Ragarnavam -With Ragacandrika Vyakhya (With Notation)
रागार्णवम् (रागचन्द्रिका व्याख्या सहित): Ragarnavam -With Ragacandrika Vyakhya (With Notation)
By भगवतशरण शुक्ल (Bhagavatsharan Shukla)
CA$53
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राग जिज्ञासा: Raga Jijnasa
राग जिज्ञासा: Raga Jijnasa
By देवेन्द्रनाथ शुक्ल (Devendra Nath Shukla)
CA$51
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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