BOOKS ON INDIAN AESTHETICS

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Mostrando 289 a 318 de 318 resultados
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अध्यात्म, कविता और सौन्दर्य: Spirituality, Poetry & Aesthetics
अध्यात्म, कविता और सौन्दर्य: Spirituality, Poetry & Aesthetics
By सत्यप्रकाश मिश्र (Satya Prakash Mishra)
RM119.20
RM149 20% off
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Art Beauty and Creativity (Indian and Western Aesthetics)
Art Beauty and Creativity (Indian and Western Aesthetics)
By Shyamala Gupta
RM128
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हिन्दी समीक्षा स्वरुप विकास के संदर्भ: Hindi Literary Criticism
हिन्दी समीक्षा स्वरुप विकास के संदर्भ: Hindi Literary Criticism
By प्रो. सत्यदेव मिश्र (Prof. Satya Dev Mishra)
RM231
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Devotional Poetics and the Indian Sublime
Devotional Poetics and the Indian Sublime
By Vijay Mishra
RM124
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The Poet and His World (Critical Essays on Rabindranath Tagore)
The Poet and His World (Critical Essays on Rabindranath Tagore)
By Mohammad A Quayum
RM179.20
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RM256 30% off
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अर्थविज्ञान (संस्कृत व्याकरण एवं काव्यशास्त्र का योगदान): Semantics (Contribution of Sanskrit Grammar and Poetics)
अर्थविज्ञान (संस्कृत व्याकरण एवं काव्यशास्त्र का योगदान): Semantics (Contribution of Sanskrit Grammar and Poetics)
By डॉ. कमलाकान्त मिश्र (Dr. Kamlakant Mishra)
RM169
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पश्चिमी आलोचना का हिंदी आलोचना पर प्रभाव Impact of Western Crticism on Hindi Criticism
पश्चिमी आलोचना का हिंदी आलोचना पर प्रभाव Impact of Western Crticism on Hindi Criticism
By स. न. अय्यर (S. N. Ayyar)
RM202
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Natyasastra in the Modern World (Proceedings of the 15th World Sanskrit Conference)
Natyasastra in the Modern World (Proceedings of the 15th World Sanskrit Conference)
By Radha Vallabh Tripathi
RM153
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Rammohun Roy (A Critical Biography)
Rammohun Roy (A Critical Biography)
By Amiya P. Sen
RM103
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Transformation of Poetic Discourse (In Rasa and Post-structural Poetics)
Transformation of Poetic Discourse (In Rasa and Post-structural Poetics)
By Vandana Rajoriya
RM132
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Emptiness Appraised (A Critical Study of Nagarjuna's Philosophy)
Emptiness Appraised (A Critical Study of Nagarjuna's Philosophy)
By David Burton
RM140
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Revisiting Literature, Criticism and Aesthetics in India
Revisiting Literature, Criticism and Aesthetics in India
By Avadhesh Kumar Singh
RM248
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Hindustani Music and Aesthetics Today
Hindustani Music and Aesthetics Today
By Sushil Kumar Saxena
RM207
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Foundations of Indian Aesthetics
Foundations of Indian Aesthetics
By Vidya Niwas Misra
RM149
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Statistical Approach to The Aesthetic Communication of a Narrative Film (Volume -II)
Statistical Approach to The Aesthetic Communication of a Narrative Film (Volume -II)
By Subhash Chandra Ghakraborty
RM102.30
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Towards a Poetics of the Indian English Novel
Towards a Poetics of the Indian English Novel
By Makarand Pranjape
RM116
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Numismatic Art of India: Historical and Aesthetic Perspectives and An Album of the Masterpieces of Indian Coins (Set of 2 Volumes)
Numismatic Art of India: Historical and Aesthetic Perspectives and An Album of the Masterpieces of Indian Coins (Set of 2 Volumes)
By B. N. Mukherjee
RM471
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Nagesa's Theory of Meaning And Its Sources (A Critical Analysis of Some Basic Ideas)
Nagesa's Theory of Meaning And Its Sources (A Critical Analysis of Some Basic Ideas)
By Dr. Nandita Bandyopadhyay
RM74
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The Politics And Poetics Of Water (The Naturalisation of Scarcity In Western India)
The Politics And Poetics Of Water (The Naturalisation of Scarcity In Western India)
By Lyla Mehta
RM306
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Fragmented Frames (Reflections of a Critic)
Fragmented Frames (Reflections of a Critic)
By Bhawana Somaaya
RM136
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Kathavatthu (A Critical and Philosophical Study)
Kathavatthu (A Critical and Philosophical Study)
By Alka Barua
RM207
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SECULARISM AND ITS CRITICS: Themes in Politics
SECULARISM AND ITS CRITICS: Themes in Politics
By RAJEEV BHARGAVA
RM153
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Indian Kavya Literature: Volume One Literary Criticism
Indian Kavya Literature: Volume One Literary Criticism
By A.K. Warder
RM116
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Poetics, Plays, and Performances: The Politics of Modern Indian Theatre
Poetics, Plays, and Performances: The Politics of Modern Indian Theatre
By Vasudha Dalmia
RM190
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The Aesthetics of Wonder: New Findings in Sanskrit Alankarasastra
The Aesthetics of Wonder: New Findings in Sanskrit Alankarasastra
By A.V.Subramanian
RM112
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Karnataka Music As Aesthetic Form (History of Science, Philosophy and Culture in Indian Civilization)
Karnataka Music As Aesthetic Form (History of Science, Philosophy and Culture in Indian Civilization)
By R. Sathyanarayana
RM116
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Postcolonial Theory (A Critical Introduction)
Postcolonial Theory (A Critical Introduction)
By LEELA GANDHI
RM112
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POETIC INFLUENCE ON BHAKTI
POETIC INFLUENCE ON BHAKTI
By S. M. Pandey
RM112
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Critical Events: An Anthropological Perspective on Contemporary India
Critical Events: An Anthropological Perspective on Contemporary India
By Veena Das
RM112
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The Sangh Parivar: A Reader (Critical Issues in Indian Politics)
The Sangh Parivar: A Reader (Critical Issues in Indian Politics)
By Ed. By. Christophe Jaffrelot
RM190
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The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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