This sculpture translates music into form through a measured play of restraint and movement. The figure rises from a compact base, its body shaped through looping curves that suggest rhythm rather than anatomy.
These rounded volumes create a sense of flow, like a melodic line unfolding, while the sharply cut veena interrupts this softness with precision. The contrast is deliberate. Just as music depends on both resonance and discipline, the sculpture holds tension between fluidity and structure.
The veena is not merely an attribute but a compositional axis. Its vertical presence steadies the form, anchoring the swirling curves around it, much like a tonic note grounding a raga.
The rounded head and hollowed spaces within the body allow light to pass through, giving the marble an unexpected lightness despite its solidity. Each opening feels like a pause in sound, a moment of silence that allows the music to breathe.
There is no overt gesture or expression. Instead, the figure embodies concentration and inner poise. The balance achieved here is not static; it feels tuned, attentive, as if the sculpture is listening to its own resonance.
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