Chaturbhuja Gaj Ganesha | Watercolor On Palm Leaf | By Rabi Behra

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Chaturbhuja Gaj Ganesha | Watercolor On Palm Leaf | By Rabi Behra

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Specifications

	DDC296
	Artist Rabi Behera
	Patachitra On Palm Leaf
	12.00 inch Height X 10.20 inch Width
	Weight 30 gm

Delivery and Return Policies


	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

An Auspicious Vision

Immerse yourself in the divine presence of wisdom and prosperity. This exquisite piece captures the benevolent essence of a cherished deity, offering a focal point of spiritual serenity and artistic wonder for your cherished space. Its unique canvas lends an unparalleled sense of tradition and tactile beauty.

Whispers of Tradition

Crafted with meticulous care by the renowned artist Rabi Behra, this Pattachitra masterpiece is meticulously rendered on natural palm leaves, a testament to ancient Indian artistry. Each stroke of the pen is deliberate, preserving the delicate texture of the leaf while bringing the divine form to life. The artist’s deep understanding of the medium and subject matter shines through, resulting in a work of profound authenticity and enduring appeal.

A Symphony of Detail

Observe the intricate detail that defines this creation, measuring approximately 12 inches in height and 10.2 inches in width. The Chaturbhuja (four-armed) depiction of the deity is brought to life with delicate linework, showcasing a rich tapestry of symbolic motifs. Notice the subtle variations in the palm leaf's natural grain, which add a unique character to the composition and enhance the handcrafted aesthetic. The ornate borders, a hallmark of Pattachitra artistry, frame the central figure with captivating elegance.

Echoes of Sacred Heritage

This artwork draws inspiration from the rich cultural heritage of Odisha, India, a region celebrated for its vibrant folk art traditions. Pattachitra, meaning "picture on cloth," has been practiced for centuries, traditionally adorning temples and serving devotional purposes. The depiction of Ganesha, the remover of obstacles and god of beginnings, resonates deeply within Hindu mythology, embodying auspiciousness and new ventures. You'll appreciate the spiritual significance embedded in every carefully drawn line.

Sanctuary and Serenity

Imagine this captivating piece adorning your meditation room, study, or living area, serving as a constant reminder of peace and positive energy. Its compact yet impactful size makes it versatile for display on shelves, mantels, or as a striking accent to your wall art collection. It invites contemplation and adds a touch of artisanal elegance to any setting, fostering an atmosphere of tranquility and reverence.

Enduring Beauty

To preserve its delicate beauty for generations to come, handle this creation with the utmost care. Keep it away from direct sunlight and excessive moisture, which can affect the natural palm leaf. Gentle dusting with a soft, dry cloth is recommended. By following these simple guidelines, you ensure that this treasured work of art retains its sublime charm and continues to be a source of inspiration.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.

Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.

2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.

3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.

4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.