Shri Krishna Gatha | Watercolor On Palm Leaf | By Rabi Behra

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Shri Krishna Gatha | Watercolor On Palm Leaf | By Rabi Behra

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Specifications

	DDC299
	Artist Rabi Behera
	Patachitra On Palm Leaf
	60.00 inch Height X 22.20 inch Width
	Weight 630 gm

Delivery and Return Policies

	Ships in 1-3 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

A Divine Narrative Unveiled

Immerse yourself in the visual storytelling of ancient epics, captured in a truly unique and revered artistic medium. This remarkable piece offers a window into a rich cultural heritage, a testament to devotion and artistry passed down through generations.

The Art of Tradition

Crafted with meticulous precision, this Patachitra on palm leaf showcases the extraordinary skill of its creator. The natural, earthy tones of the palm leaf serve as an exquisite canvas, onto which intricate scenes are painstakingly rendered. Each element, from the delicate linework to the subtle shading, speaks of immense dedication and mastery of a time-honored technique.

Visual Tapestry of Divinity

The sixty-inch height and twenty-two-inch width create a commanding presence, allowing for an expansive depiction of its narrative. You'll appreciate the layered compositions, where each panel and vignette tells a story, drawing you deeper into the sacred tales. The detailed figures and flowing motifs are a feast for the eyes, inviting close inspection and contemplation.

Echoes of an Ancient Lineage

Originating from the vibrant artistic traditions of Odisha, India, this work is a continuation of the Pattachitra style. Traditionally used to depict religious narratives and epics, these paintings have a profound cultural significance. This particular piece likely draws inspiration from the life and legends of Shri Krishna, a central deity in Hindu mythology.

Sanctuary and Inspiration

Imagine this captivating artwork gracing your meditation space, study, or living room, serving as a constant source of inspiration and a conversation starter. Its spiritual resonance makes it an ideal addition to any home seeking to incorporate elements of cultural richness and artistic excellence. It can also be a profoundly meaningful gift for a connoisseur of fine art and spiritual traditions.

Preserving Timeless Beauty

To ensure the longevity of this precious artwork, it is recommended to keep it away from direct sunlight and excessive moisture. Gentle dusting with a soft, dry cloth will maintain its pristine condition. By providing careful stewardship, you ensure that this exceptional piece will continue to tell its story and bring beauty for generations to come.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.

Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.

2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.

3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.

4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.