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Ten Incarnations of Lord Vishnu (Dashavatara) Patachitra Painting | Natural Color Painting on Tussar Silk

$259
Includes any tariffs and taxes
This item can be backordered
Time required to recreate this artwork
4 - 6 weeks
Advance to be paid now
$51.80 (20%)
Balance to be paid once product is ready
$207.20
Specifications
LDC542
Natural Color on Tussar Silk
15.50 inch Height X 43.50 inch Width
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Divine Progression

Immerse your space in the profound spiritual narrative of Hinduism, visualizing the cyclical nature of divinity through a captivating artistic rendition. This elongated masterpiece presents a visual pilgrimage, inviting contemplation on the enduring power and divine intervention throughout cosmic history. It is a testament to devotion rendered in vibrant hues, meant to inspire awe and reverence.

The Artisan's Touch

Each figure and detail is meticulously brought to life by the skilled hands of a Pattachitra artist, utilizing centuries-old techniques passed down through generations. The canvas of luxurious Tussar silk provides a unique, subtly textured base that enhances the natural pigments. These colors, derived from minerals, plants, and flowers, lend an earthy richness and depth that synthetic dyes cannot replicate, ensuring an authentic and enduring visual experience.

Vibrant Depiction of Divinity

Across the impressive width of this artwork, you will encounter the ten distinct incarnations of Lord Vishnu, each rendered with characteristic iconography and symbolic attire. From the aquatic Matsya to the horse-headed Kalki, the composition flows seamlessly, framed by an ornate border of intricate patterns and motifs. The careful detailing of architectural elements, such as the arches and pillars, adds a sense of grandeur and spatial depth to the divine procession. The sheer scale, measuring 15.50 inches in height and an expansive 43.50 inches in width, allows for an immersive viewing experience.

Echoes of Tradition

This depiction of the Dashavatara is deeply rooted in the Pattachitra tradition, a folk art form originating from the eastern Indian state of Odisha. These scroll paintings have historically served as visual storytelling for religious narratives, brought to life by traveling minstrels. The practice embodies a rich cultural heritage, preserving stories of creation, destruction, and recreation, and the continuous effort of the divine to restore cosmic order.

A Statement of Reverence

Adorn a prominent wall in your living room, meditation space, or entryway with this remarkable piece. Its striking length makes it ideal for commanding attention in hallways or above long consoles, drawing the eye and sparking conversation. It serves not only as a decorative element but also as a focal point for spiritual reflection and a celebration of artistic heritage. You'll appreciate how its vibrant energy and sacred imagery transform any environment into a sanctuary of peace and contemplation.

Preserving Enduring Value

To ensure the longevity and brilliance of this natural pigment artwork, it is recommended to keep it away from direct sunlight and high humidity. Gentle dusting with a soft, dry cloth will preserve its delicate surface. By adhering to these simple care instructions, you ensure that this piece of artisanal heritage will continue to be a source of inspiration and beauty for generations to come, its value only deepening with time.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.
Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.
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2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.
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3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.
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4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.
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