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100% Handmade
100% Handmade
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MADE IN INDIA.

Shiva Parvati with Children Ganesha and Kartikeya Red Stone Statue

$529
Includes any tariffs and taxes

Carved in the warm tonality of Orissan red stone, this dynamic panel of Uma Maheshwara embodies the lyrical vitality and rhythmic plasticity characteristic of eastern Indian temple sculpture. At its center, Shiva and Parvati move in intimate union, their bodies intertwined in a poised yet animated composition.


Shiva’s form is supple and ascetic, his torso lean yet powerful, the waist gently flexed as he inclines toward Parvati. His jata rises in flaring strands, suggesting both yogic energy and cosmic movement.


Ornamented with layered necklaces and armlets, he raises one hand in a gesture of assurance while the other curves protectively around his consort, creating a visual axis of conjugal harmony.

Specifications
DDS101
Orissa Stone
Height: 10 inch
Width: 10.2 inch
Depth: 2.5 inch
Weight 2.50 kg
About the Item
  • Depicts Lord Shiva and Goddess Parvati in a divine union, symbolizing cosmic energy and familial harmony.
  • Features Lord Ganesha, the remover of obstacles, and Lord Kartikeya, the god of war, flanking the divine couple.
  • Crafted from durable red stone, showcasing intricate hand-carved details and flowing forms.
  • Represents the concept of Shiva-Shakti, the primordial forces of creation and sustenance.
  • The inclusion of flames signifies Shiva's power of destruction and regeneration.
  • An ideal statement piece for home decor, meditation spaces, or as a spiritual gift.
Delivery and Return Policies
Usually ships in 7 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.
Shiva’s downward meditative gaze contrasts subtly with Parvati’s upward, animated eyes. His inward-looking composure suggests latent masculine consciousness, while her active upward glance embodies dynamic feminine energy. Yet their postures mirror one another in rhythmic balance, affirming the union of Purusha and Prakriti. Parvati’s form is sculpted with sensuous fullness. Her rounded torso and elegantly incised garment patterns articulate grace and fertility.

In her hand, she holds a sickle crowned with floral tassels that rise upward while a curved, crescent blade descends below. This dual-directional form subtly invokes her ferocious aspect as Kali, where the upward floral motif signifies creation and blossoming energy, and the downward curving blade suggests severance, dissolution, and transformative power. The attribute thus encodes the duality of Shakti, affirming that both creation and destruction reside within the same divine feminine principle.

The incised patterns across their garments and limbs demonstrate the Orissan sculptor’s mastery of surface articulation. Fine linear detailing enriches the stone without diminishing volumetric presence. Flanking them are their sons, Ganesha and Kartikeya. Ganesha, animated and rhythmic, appears in dance, his rounded body alive with devotional joy. Kartikeya, poised with a drum, complements the central rhythm, reinforcing the cosmic celebration of familial divinity. Flames surge beneath the divine pair, carved in fluid tongues of stone.

These stylized flames evoke tapas and transformative energy, grounding the familial scene within cosmic potency. The lower register is adorned with patterned friezes and ornamental bands that echo temple plinth design. These motifs function both structurally and symbolically, suggesting the sacred architectural frame of the divine household.

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