13" ColourFul Kharchari Copper Statue from Nepal

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MADE IN INDIA.

13" ColourFul Kharchari Copper Statue from Nepal

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$1059.75

$1413

25% off

Includes any tariffs and taxes

Only 1 available

Among the significant deities in Mahayana Buddhism, the bodhisattva Kharchari holds a prominent place.

He embodies complete enlightenment, seated gracefully on a lotus atop a moon disk. With four arms, two are clasped in prayer, cradling a wish-fulfilling gem in pink and white. In his other left hand, he delicately holds a vibrant lotus flower, while his right hand clutches a red crystal mala (rosary), used for counting the repetitions of his mantra. His appearance includes an ornate crown adorned with intricate designs and five gemstones. Kharchari emanates a compassionate, knowing smile as his eyes benevolently gaze upon all sentient beings.

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Specifications

	MIT078
	Copper with Gold Plated
	Height: 13 inch
	Width: 10 inch
	Depth: 9 inch
	Weight 4.80 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

A Beacon of Compassion and Enlightenment

This exquisite statue, crafted from copper and adorned with intricate gold plating, is a magnificent representation of a divine Bodhisattva, embodying boundless compassion and spiritual wisdom. Originating from the sacred land of Nepal, renowned for its rich artistic heritage and deep-rooted Buddhist traditions, this artwork captures the serene essence of enlightenment. The artist's meticulous attention to detail is evident in every aspect, from the tranquil expression on the deity's face to the flowing robes and symbolic adornments. This is more than just a decorative piece; it is a conduit for spiritual contemplation, inviting peace and mindfulness into your space. ––––––––––

Symbolism and Divine Attributes

The Bodhisattva, a being who has attained enlightenment but chooses to remain in the world to help all sentient beings achieve liberation, is depicted here with multiple arms, each carrying significant symbolism. One hand gestures in the traditional "Anjali Mudra" or prayer gesture, signifying reverence and devotion, while another gently holds a mala, the prayer beads used in meditation to count mantras. The presence of a lotus flower, often seen as a symbol of purity and spiritual awakening, further enhances the divine aura of the representation. The vibrant, jewel-toned ornamentation that graces the deity's headdress and garments speaks to the richness of the spiritual realm and the transformative power of compassion. The use of copper, a metal known for its purifying properties, and gold plating, symbolizing purity and divinity, elevates this statue to a sacred object of veneration. ––––––––––

Artistry from the Himalayas

The craftsmanship of this piece is a testament to the enduring artistic traditions of Nepal, a region where art and spirituality are intricately woven. The "Kharchari" style, characterized by its distinctive aesthetic and intricate detailing, is brought to life by skilled artisans who have passed down their techniques through generations. The vibrant colors used to embellish the statue are applied with precision, highlighting the fine carvings and adding a sense of dynamic energy to the otherwise serene form. This statue is not merely an object of beauty but a vessel that carries the spiritual essence and cultural heritage of the Himalayas, offering a tangible connection to ancient wisdom and devotional practices. It is designed to be a focal point in any home or meditation space, inspiring contemplation and fostering an atmosphere of tranquility and spiritual growth.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.