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14" Goddess White Tara Copper Statue from Nepal | Buddhist Deity Idols

$717
$956
25% off
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Tara shares a close connection with Chenrezig (Avalokitesvara), the Bodhisattva of Compassion. A tale of her origin speaks of her birth from Chenrezig's tears of compassion.

 

White Tara stands adorned with 7 eyes— one on her forehead, each hand, and each foot— embodying her compassionate vigilance, witnessing the world's suffering. With her left hand, she takes on a protective mudra, while her right hand rests in the wish-granting mudra. Often, she holds a stem of the Utpala lotus flower with three blossoms in her left hand. These blossoms signify the Buddhas of the past, present, and future— a visual representation of her boundless compassion and timeless wisdom.

This item can be backordered
Time required to recreate this artwork
4 to 6 weeks
Advance to be paid now
$179.25 (25%)
Balance to be paid once product is ready
$537.75
Specifications
CAA173
Copper With Gold
Height: 13 inch
Width: 9.5 inch
Depth: 5 inch
Weight 3.80 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Embodiment of Compassion: White Tara

This exquisite statue captures the serene essence of White Tara, a revered Buddhist deity embodying compassion, longevity, and enlightenment. Crafted in Nepal, a land steeped in spiritual traditions, this copper and gold masterpiece is a testament to the artistry and devotion of its creators. The intricate details and lustrous finish evoke a sense of divine grace, making it a focal point for meditation and contemplation. White Tara is known as the "Mother of Liberation" and is often invoked for healing, protection, and the removal of obstacles. According to Buddhist lore, she was born from a tear shed by Avalokiteshvara, the bodhisattva of compassion, as he witnessed the suffering of the world. Her appearance is always serene and youthful, signifying her unfailing ability to offer solace and aid to all beings. She is depicted with seven eyes – on her forehead, palms, and soles of her feet – symbolizing her omniscience and her ability to see all beings in need of her compassionate embrace.

Artistry and Symbolism in Every Detail

The statue showcases White Tara in her characteristic posture of ease and grace. Seated upon a lotus throne, a symbol of purity and spiritual awakening, she displays the Varada Mudra in her left hand, a gesture of giving and compassion. Her right hand, held in the Abhaya Mudra, signifies protection and the dispelling of fear. In her left hand, she holds the stem of a lotus flower, which blooms beside her left shoulder. The lotus, a recurring symbol in Buddhist art, represents purity, spiritual growth, and the unfolding of wisdom. The rich copper body is adorned with delicate gold inlay, highlighting the divine features and flowing robes. Her serene countenance, with eyes cast downwards in benevolent observation, conveys profound peace and understanding. The multi-tiered crown and ornate jewelry further accentuate her divine status, each gem and decorative element imbued with symbolic meaning. The dark patina of the copper contrasts beautifully with the gleaming gold, creating a dynamic and visually stunning representation of the goddess. This statue is not merely an object of beauty but a powerful conduit for spiritual connection and a reminder of the boundless compassion that exists in the universe.

A Legacy of Craftsmanship from the Himalayas

Originating from Nepal, a region renowned for its centuries-old tradition of thangka painting and statue making, this White Tara statue carries the weight of a rich cultural heritage. The artisans employ age-old techniques, passed down through generations, to imbue each creation with life and spiritual energy. The meticulous craftsmanship, from the casting of the copper to the fine details of the gold embellishments, reflects a deep reverence for the sacred subject matter. Owning such a piece is to possess a tangible link to the spiritual heart of the Himalayas, a reminder of the enduring power of faith and the pursuit of inner peace. This statue is a profound addition to any altar, meditation space, or collection of fine Buddhist art, offering a constant source of inspiration and spiritual solace.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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