14” Yamantaka with his consort Vajaravetali Copper Statue from Nepal

•

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

14” Yamantaka with his consort Vajaravetali Copper Statue from Nepal

Email

Whatsapp

Facebook

Pinterest

Twitter

Copy link

$1926.75

$2569

25% off

Includes any tariffs and taxes

Only 1 available

Yamantaka, the wrathful deity in Tibetan Buddhism, is often depicted in union with his consort Vajravetali. This divine pairing symbolizes the inseparable union of wisdom and skillful means, embodying transformation and transcendence. In their union, Yamantaka and Vajravetali manifest a dynamic balance of compassionate and fierce energies.

Yamantaka, with his wrathful appearance, represents the wisdom that can conquer the fear of death and ignorance. Vajravetali, often portrayed in a similar wrathful form, complements Yamantaka often portrayed in a similar wrathful form, complements Yamataka’s energy with her own transformative and protective qualities.

Notify me when this item is available

Specifications

	NLH030
	Copper With Gold
	Height: 14 inch
	Width: 10 inch
	Depth: 5.5 inch
	Weight 5.70 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

Embodiment of Cosmic Justice and Transformation

This magnificent statue portrays Yamantaka, the powerful deity who conquers death, in union with his consort, Vajaravetali. Crafted from copper and adorned with gold, this representation captures the intense energy and profound symbolism inherent in these wrathful deities within the Tibetan Buddhist pantheon. Yamantaka, whose name translates to "Conqueror of Death," is an emanation of Manjushri, the Bodhisattva of wisdom, and is invoked to overcome obstacles, ignorance, and the fear of mortality. ––––––––––

The Divine Dance of Wrath and Compassion

The iconography of Yamantaka is rich and multifaceted. His fearsome appearance, with multiple heads, arms, and legs, signifies his ability to confront and dismantle the deepest delusions and negativities. The bull's head symbolizes raw power and the untamed nature of the mind, while his multiple eyes represent omniscient awareness, seeing through all illusion. Vajaravetali, his consort, embodies the wisdom that arises from the destruction of ignorance, adding a complementary aspect of fierce protection and enlightened action. Their union, known as yab-yum, signifies the inseparable nature of wisdom and skillful means, the ultimate goal of spiritual practice. This dynamic embrace suggests the transformative power that arises when opposing forces are brought into harmony, leading to liberation. The flames surrounding the deities represent the fire of wisdom that purifies all impurities, burning away karmic obscurities and negative tendencies. ––––––––––

Artistry from the Heart of Nepal

Hailing from Nepal, a land steeped in spiritual traditions and renowned for its exquisite metalwork, this statue is a testament to the skill of its artisans. The intricate detailing, from the musculature of the deities to the fine adornments and the vibrant aureole of flames, showcases a mastery passed down through generations. The gleaming copper, enhanced by the lustrous gold, creates a visual spectacle that is both awe-inspiring and deeply spiritual. The base, adorned with subtle yet significant motifs, provides a stable foundation for this powerful depiction, grounding the divine energy it represents. Each element is meticulously rendered, inviting contemplation and devotion. This piece is more than just an object of art; it is a sacred vessel designed to inspire profound spiritual connection and facilitate powerful meditation practices.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.