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15" Buddhist Deity Kharchari Copper Statue | Nepalese Copper Statue

$1729.50
$2306
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Kharchari stands as a symbol of enlightenment and compassion. Despite attaining complete enlightenment, he chooses to remain on Earth instead of entering nirvana, dedicating himself to the salvation of all living beings. This selfless devotion underlines his profound compassion. Two of his four arms are gracefully joined in prayer, holding a wish-fulfilling red and blue gem. On the other hand, he delicately cradles a lotus flower and a crystal mala (rosary), which he uses to chant his mantra, "Om Mani Padme Hum," liberating all from suffering.

 

Clad in the regalia of a Bodhisattva, he adorns the soft antelope skin, symbolizing his non-violent nature. His compassionate gaze reflects deep understanding and affection for all beings, encapsulating his essence of love and empathy.

Specifications
CAA183
Copper With Gold
Height: 15.5 inch
Width: 11.5 inch
Depth: 7 inch
Weight 7.60 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Compassion and Purity

This exquisite statue depicts Kharchari, a divine manifestation revered in Buddhist traditions for her profound compassion and wisdom. Crafted in the rich artistic heritage of Nepal, this masterpiece is rendered in copper with a lustrous gold finish, imbuing it with an aura of sacredness and timeless beauty. The intricate details and the radiant sheen speak to the dedication and skill of the artisans who brought this sacred form to life. Kharchari, often identified with the Bodhisattva Tara, symbolizes active compassion, arising to alleviate suffering in the world. Her serene countenance, with eyes that convey immense empathy and understanding, invites contemplation and inner peace.

Symbolism and Iconography

Kharchari holds significant symbolic meaning within the Mahayana Buddhist pantheon. In her right hand, she delicately grasps a lotus flower, a potent emblem of purity, enlightenment, and the unfolding of spiritual realization. The lotus, even when rooted in muddy waters, blooms flawlessly, representing the Bodhisattva's ability to remain untainted by the imperfections of the material world while working for the liberation of all beings. Her left hand is raised in the gesture of Abhaya Mudra, the mudra of fearlessness, offering solace and protection to devotees. The elaborate crown adorning her head signifies her elevated status as a celestial being, adorned with precious jewels that represent the transformative qualities of the awakened mind. The posture of seated meditation, often in the lotus position, further emphasizes her profound spiritual discipline and tranquility.

Artistry and Devotion

This Nepalese copper statue is more than just a work of art; it is an object of devotion, intended to inspire spiritual connection and foster a sense of peace. The coppery base provides a sturdy foundation, intricately sculpted with decorative motifs that echo the richness of Buddhist art. The gold plating not only enhances the visual splendor but also symbolizes the divine, incorruptible nature of the enlightened consciousness. Each element, from the subtle curve of her lips to the delicate folds of her robes, has been meticulously shaped by hand, reflecting a tradition of craftsmanship passed down through generations. The presence of this statue in a home or sacred space is believed to emanate positive energy, promoting harmony, dispelling negativity, and serving as a constant reminder of the path towards enlightenment. Its substantial size and commanding presence make it a focal point for meditation, prayer, and the contemplation of Buddhist ideals.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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