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16" Buddhist Deity White Tara Copper Statue from Nepal | Authentic Nepalese Sculpture

$1345.50
$1794
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The prominent artistic representation of this deity is the White Tara of Longevity. Her right hand gracefully forms the mudra of supreme generosity, while her left delicately holds the stem of a white utpala flower, its petals unfurling towards her ear.

 

This single stem symbolizes the presence of buddhas across the past, present, and future, divided into three parts: a blooming flower in the center, a mature one on the right, and a bud on the left. Adorned with exquisite jewel ornaments and draped in silken garments, she assumes the vajra posture with her legs. Each palm and sole features an eye, a total of seven, representing profound awareness.

Specifications
CAA194
Copper With Gold
Height: 16 inch
Width: 12 inch
Depth: 9.5 inch
Weight 5.90 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Compassion: The White Tara Statue

Crafted in the heart of Nepal, this magnificent 16-inch statue captures the serene essence of White Tara, a revered deity in Tibetan Buddhism. The statue is rendered in lustrous copper, adorned with a rich gold finish that imbues it with an aura of divine radiance and permanence. The craftsmanship is evident in every detail, from the delicate rendering of her serene facial features to the intricate adornments that speak of her celestial status.

Mythological Significance and Iconography

White Tara, also known as the Mother of Liberation, is one of the most beloved female Buddhas. She is the embodiment of compassionate action, longevity, and healing. Legend tells of her birth from a tear of the Bodhisattva Avalokiteshvara, shed out of deep compassion for the suffering of sentient beings. This single tear transformed into a lotus flower from which White Tara emerged, her form white like the moon, symbolizing purity and tranquility. Her seven eyes—one on her forehead and one on each of her palms and soles—represent her vigilance and her ability to see all suffering and to offer succour with swiftness. Her posture, seated in the vajra position, signifies her enlightened state, while her right hand, held in the gesture of boon-granting (varada mudra), promises protection and fulfillment of wishes. Her left hand, in the gesture of refuge (abhaya mudra), offers fearlessness and protection from harm. The lotus flower, a prominent motif in Buddhist art, symbolizes purity, enlightenment, and rebirth.

Artistic Mastery from Nepal

This exquisite statue is a testament to the rich artistic heritage of Nepal, a country that has been a cradle of Buddhist art and philosophy for centuries. Nepalese artisans are renowned for their mastery in metal casting, employing traditional techniques passed down through generations. The use of copper as the base material provides a strong foundation, while the application of gold not only enhances its visual appeal but also symbolizes purity, enlightenment, and the preciousness of the spiritual path. The statue's substantial presence is further enhanced by its intricate detailing, including the elaborate crown, the flowing robes, and the decorative elements that adorn her form. Each element is meticulously sculpted, reflecting a deep understanding of Buddhist iconography and a profound devotion to the spiritual subject matter. This piece is more than just a decorative object; it is a sacred representation, intended to inspire mindfulness, compassion, and a connection to the divine. It serves as a powerful focal point for meditation and contemplation, bringing a sense of peace and spiritual harmony to any space it graces.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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