16" Kharchari Copper Idol from Nepal | Nepalese Copper Statue

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16" Kharchari Copper Idol from Nepal | Nepalese Copper Statue

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$1116

$1488

25% off

Includes any tariffs and taxes

Only 1 available

Kharchari, the innate potency of Enlightened Energy, a form that inherently resides within the pristine nature of the mind, open to manifestation for all beings, as the fundamental Buddha nature is universal.

The first pair of hands join in veneration, holding the wish-fulfilling jewel symbolizing benevolence. In the second right arm rests a crystal mala (rosary), signifying meditative focus, while the second left arm cradles a golden lotus with its stem, embodying purity. The third right arm bears the mudra of supreme generosity, conveying boundless giving without attachment. In the third left arm, an empowerment vase symbolizes spiritual empowerment and enrichment. The fourth right arm wields the wheel of knowledge, reflecting wisdom's illumination, while the fourth left arm grasps a bow and arrow, representing skilful means and precision.

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Specifications

	CAA204
	Copper With Gold
	Height: 16 inch
	Width: 13 inch
	Depth: 10 inch
	Weight 6.20 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

A Divine Embodiment of Compassion and Wisdom

This exquisite copper idol, meticulously crafted in Nepal, is a breathtaking representation of a revered Bodhisattva, a being destined for enlightenment who chooses to remain in the world to guide others. Standing at an impressive height, this sculpture captures the serene and compassionate essence of the divine figure. The artistry and dedication evident in its creation speak to the rich spiritual heritage of Nepal, where such sacred objects are not merely decorative but are imbued with profound devotional significance. The use of copper as the primary material, enhanced with exquisite gold detailing, lends a sense of timeless beauty and spiritual purity to the idol. Copper, known for its durability and lustrous sheen, has been a favored material in religious iconography for centuries, symbolizing both earthly grounding and celestial radiance. The intricate gold embellishments, adorning the crown, jewelry, and flowing garments, catch the light, accentuating the divine aura of the Bodhisattva and hinting at the transcendental realm from which it originates. ––––––––––

Iconography and Symbolism

The Bodhisattva is depicted in a meditative posture, seated gracefully upon a lotus throne. The lotus, a universal symbol in Buddhism, represents purity, spiritual awakening, and the journey from the mud of worldly desires to the unblemished bloom of enlightenment. This particular representation showcases multiple arms, each holding significant symbolic objects that convey the Bodhisattva's boundless compassion and vast wisdom. In one hand, a delicate lotus flower blossoms, signifying purity and the potential for spiritual growth. Another hand may hold a symbolic object like a jewel or a scroll, representing wisdom and the teachings of dharma. The remaining hands are often depicted in mudras, or symbolic hand gestures, conveying blessings, protection, or the granting of wishes. The serene facial expression, with downcast eyes and a gentle smile, invites contemplation and inner peace, reflecting the Bodhisattva's selfless dedication to alleviating suffering. The elaborate headdress and ornate jewelry further signify the divine status and enlightened nature of the being. ––––––––––

A Legacy of Spiritual Craftsmanship

Originating from Nepal, a land steeped in Buddhist traditions and renowned for its skilled artisans, this idol is a testament to centuries of evolving artistic and spiritual practices. Nepalese art, particularly in the realm of religious statuary, is characterized by its attention to detail, vibrant color palettes, and the skillful manipulation of materials to evoke a sense of divine presence. Each fold of the garment, each curl of the hair, and each element of the jewelry is rendered with precision, reflecting a deep understanding of Buddhist iconography and a profound respect for the sacred subject matter. This piece is not just a statue; it is a conduit for devotion, a focal point for meditation, and a tangible connection to the spiritual wisdom and compassionate energy that the Bodhisattva embodies. It is a treasure that can enrich any sacred space or personal altar, bringing with it a sense of peace, inspiration, and divine grace.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.