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19" Goddess White Tara Nepalese Copper Statue | Sculpture from Nepal

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The carving is embedded with intricate precision, and every detail adorning this copper statue showcases the rich artistry that breathes life into White Tara’s true form. She has two arms, has an eye on both of her palm hands and wears a golden crown representing spiritual wealth. White Tara made with copper and gold wears all kinds of bodhisattva ornaments studded with turquoise and red stones. She is also known as “Tara of Seven Eyes”, a form of goddess popular in Mongolia. It is believed that praying to White Tara brings health, healing and longevity. 

Specifications
CAA055
Copper With Gold
Height: 19 inch
Width: 13 inch
Depth: 8 inch
Weight 8.60 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Ever-Present Bodhisattva of Compassion

This exquisite statue depicts Goddess White Tara, a revered bodhisattva in Tibetan Buddhism, embodying compassion, longevity, and the attainment of enlightenment. Crafted from copper with intricate gold detailing, this masterpiece is a testament to the rich artistic heritage of Nepal. White Tara is often invoked to overcome obstacles and to grant protection, a maternal figure whose boundless love extends to all sentient beings. Her serene countenance, with half-closed eyes suggesting profound meditation, radiates an aura of peace and wisdom. The delicate smile on her lips hints at the joy of liberation and the ultimate understanding of the universe. ––––––––––

Symbolism and Iconography

The posture of White Tara is significant. She is seated in the vajra posture, with her legs crossed in a meditative pose, signifying stability and rootedness. Her right hand rests on her knee in the boon-granting gesture (varada mudra), signifying her willingness to bestow blessings and fulfill the wishes of her devotees. Her left hand is raised, holding the stem of a lotus flower, a powerful symbol of purity and spiritual awakening, which blooms beside her left shoulder. This lotus, often referred to as the "utpala," signifies her pure nature, untouched by the defilements of the world, much like the lotus that grows unstained from muddy waters. The multiple eyes often depicted on White Tara's forehead, palms, and soles of her feet symbolize her omnipresence and her ability to see the suffering of all beings in every corner of existence. Her regal adornments, including a multi-tiered crown and ornate jewelry, represent her enlightened status and her role as a queen of compassion. ––––––––––

A Divine Craftsmanship

The meticulous craftsmanship evident in this statue is a hallmark of traditional Nepalese metalwork. The use of copper as the base material provides a sturdy foundation, while the application of gold creates a luminous and divine aura. The contrasting patinas of the metals enhance the three-dimensional quality of the sculpture, highlighting the intricate details of her robes, the delicate folds of her garments, and the subtle expressions on her face. The decorative elements, such as the lotus base and the stylized floral motifs flanking her, are rendered with precision, adding to the overall grandeur of the piece. This statue is not merely an object of devotion but a work of art that embodies centuries of spiritual tradition and artistic dedication. It is an invitation to connect with the profound essence of White Tara and to invite her benevolent presence into one's life.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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