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24" Wooden Sitting Bhagawan Brahma

$618.75
$825
25% off
Includes any tariffs and taxes
Only 1 available
Specifications
MIT607
Wood
Height: 24 inch
Width: 15 inch
Depth: 4 inch
Weight 6.35 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Creator Embodied: A Divine Wooden Sculpture

This exquisite wooden sculpture captures the essence of Bhagawan Brahma, the Hindu deity revered as the creator of the universe. With his four heads, each representing a Veda, he is depicted in a posture of profound contemplation and divine power. The artist has meticulously carved the intricate details of his adornments, from the delicate patterns on his garments to the serene expressions on his multiple faces, each radiating a unique wisdom. The vibrant, yet aged, coloration adds a sense of antiquity and spiritual depth, inviting viewers to connect with the timeless narrative of creation. Brahma's presence is often associated with knowledge, wisdom, and the initiation of all existence. In Hindu cosmology, he is part of the Trimurti, the divine trinity that includes Vishnu (the preserver) and Shiva (the destroyer), symbolizing the cyclical nature of life, death, and rebirth. The tales of Brahma's creation are vast and varied, often highlighting his immense power and his role in shaping the cosmos. This sculpture serves as a tangible link to these ancient stories, bringing a piece of sacred history into your space. ––––––––––

Symbolism and Adornments

Seated majestically on his mount, the Hamsa (a swan or goose), Brahma is accompanied by the goddess Saraswati, the embodiment of knowledge, music, art, wisdom, and learning. Her presence alongside Brahma emphasizes the interconnectedness of creation and wisdom. The Hamsa itself is a symbol of purity, discernment, and the ability to separate truth from falsehood, much like a swan can separate milk from water. The intricately carved backdrop, with its swirling motifs and a fearsome Makara (a mythical sea creature) adorning the apex, signifies the cosmic expanse and the powerful forces at play in the universe. This rich symbolism transforms the sculpture from mere art into a profound spiritual object. The meticulous craftsmanship evident in this piece is a testament to the skill of the artisans. The wood has been carved with a delicate touch, imbuing the figures with life and character. The muted, earthy tones, accented by touches of vibrant color, suggest a piece that has weathered the ages, holding within it the stories and prayers of generations. Each detail, from the gentle curve of a hand to the subtle tilt of a head, speaks to a deep understanding of the iconography and the spiritual significance of these divine beings. ––––––––––

A Sacred Aura for Your Space

This magnificent sculpture is more than just a decorative item; it is an invitation to invoke the energies of creation, knowledge, and divine wisdom into your home or meditation space. Whether placed in a living room, study, or personal altar, it serves as a focal point for reflection and spiritual practice. The presence of Brahma can inspire contemplation on the origins of existence, the pursuit of knowledge, and the creative spirit within us all. Its substantial size and detailed artistry ensure it will be a captivating centerpiece, sparking conversation and spiritual engagement for all who behold it. The traditional art of wood carving in India is a practice steeped in centuries of devotion and skill. Artisans often pass down their techniques through generations, ensuring the continuity of sacred artistic traditions. This sculpture is a product of that rich heritage, a finely crafted representation of a deity central to Hindu philosophy. Owning this piece is not just acquiring a beautiful object, but also cherishing a piece of living cultural heritage.
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