This bronze image presents Pradosha Moorthy, the revered form of Shiva and Parvati worshipped during the sacred Pradosha festival that takes place on Trayodashi (13th day of the month) in Hindu tradition.
The composition is rich in layered symbolism, beginning with the prabhavali, adorned with alternating idealised fiery tongues and lotus emblems. Together, they visualise the union of Shiva’s potent, transformative energy and Uma’s gentle, creative force, acting in harmony to sustain creation.
At the crown of the arch appears the kirtimukha, from whose mouth emerge makaras, creating a powerful visual layering of two ancient auspicious symbols. This confluence heightens the sanctity of the image, marking it as one of exceptional ritual significance.
Shiva sits as Pashupati, his Vedic aspect as lord of all living beings, anchoring the icon. Parvati rests upon his lap, held warmly at the waist, a rare and tender moment of divine intimacy rendered within a formal temple image.
Shiva’s jata-mukuta, inward smile, and disciplined poise convey stillness and control, while Parvati, slightly smaller in scale yet richly detailed, brings animation to the scene.
Carrying them stands Nandi, elaborately adorned with floral vines, rows of bells, and an ornate cloth. His lively stance, curving tail, alert gaze, and act of gently licking his muzzle express joy radiating outward from the union of Uma Maheshwara.
Designed after festive processional icons of Tamil temples, this sculpture captures divinity not as static, but as a living presence, carried among devotees and blessing all who gather in its path.
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