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43" Stunning Large Sized Vishwarupa of Heruka In Yab Yum | Handmade In Nepal

$10,687.50
$14,250
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In Vajrayana, Heruka is the extension of the wrath of Akshobhaya and represents the ultimate bliss of enlightenment. In this gilded copper icon of Heruka, he is presented in his Vishwarupa, or cosmic form, in union with his consort, Vajrayogini. In this form, Heruka is also known as Hevajra. The multiple-faced and multiple-armed Vishwarupa is haloed by magnificent serpent hoods intertwined to represent infinity, raging fires of wisdom, and peaceful clouds. On an intricate lotus platform, the mighty Heruka or Hevarja stands blessing the devotee. 

Specifications
CAA221
Copper With Gold
Height: 43 inch
Width: 28 inch
Depth: 8.5 inch
Weight 35.70 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

An Embodiment of Cosmic Energy and Enlightenment

Behold, a breathtaking representation of profound spiritual significance, this monumental sculpture captures the awe-inspiring Vishwarupa of Heruka in Yab Yum. Crafted with meticulous detail by master artisans in Nepal, this piece transcends mere artistry to become a conduit for divine energy and a focal point for deep contemplation. The sheer scale and intricate rendering of this deity's multifaceted form are designed to evoke a powerful sense of the infinite and the boundless nature of consciousness.

The Heruka in Union: A Symbol of Transcendence

Heruka, a wrathful deity in tantric Buddhism, is a manifestation of awakened energy, symbolizing the overcoming of ignorance and delusion. His union with his consort, known as Yab Yum, represents the inseparable nature of wisdom and compassion, emptiness and form, and the ultimate realization of non-duality. This divine embrace signifies the complete transcendence of all dualistic concepts, a state of profound bliss and liberation. The multitude of heads and arms symbolize the deity's omnipresence and his ability to perceive and act in all directions simultaneously, aiding all sentient beings on their path to enlightenment.

A Celestial Spectacle of Divine Iconography

The sculpture is a visual symphony of divine iconography. The vibrant colors and dynamic forms that frame the central figures evoke a celestial aura. The backdrop is adorned with stylized flames, representing the transformative power of wisdom that burns away ignorance, and auspicious clouds, symbolizing the boundless expanse of the spiritual realm. Intertwined serpents, often associated with kundalini energy and cosmic cycles in various Eastern traditions, ascend upwards, further enhancing the mystical narrative. The intricate details, from the fierce expressions of the multiple faces to the delicate rendering of each hand, speak to the immense skill and devotion poured into its creation. The rich patina, achieved through the masterful application of copper with gold, imbues the entire sculpture with a radiant glow, suggesting an otherworldly luminescence.

Artistry Rooted in Tradition

Each element of this masterpiece is steeped in the rich artistic and spiritual heritage of Nepal. The tradition of crafting such elaborate thangkas and sculptures has been passed down through generations, preserving ancient techniques and iconography. This particular piece, standing as a testament to the apex of this artistic lineage, is not just an object of devotion but a significant cultural artifact. It embodies the deep spiritual insights and artistic prowess that have flourished in the Himalayan region for centuries, offering viewers a glimpse into a profound cosmology. The choice of copper with gold is not merely aesthetic; it signifies purity, radiance, and the incorruptible nature of the awakened mind. This substantial piece is an exceptional addition to any sacred space or discerning collection, inviting reverence and inspiring spiritual aspiration.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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