“Padmasthite Padmakare Sarva-lokaika Pūjite” She who abides upon the lotus, holds the lotus, and is revered across all worlds.
This bronze image of Sri Lakshmi gives sculptural form to that ancient invocation, presenting the goddess as the living source and shelter of all fortune.
The artist’s attention to detail is immediately evident in the rendering of her hands. Each finger, nail, and gesture is carefully articulated, from the open palm that offers reassurance to the delicate grasp of the lotus stalks. The lotuses themselves are carved petal by petal, their slender stems rising with natural rhythm.
Her makara kundalas, ornaments also worn by Vishnu, frame the face and affirm her as the abiding presence of balance and prosperity.
Layers of ornament flow seamlessly across the body, while the softness of her garments is translated into metal with remarkable realism. The dhoti appears almost diaphanous, its folds following the contours of the legs, and the front cloth drapes gracefully onto the lotus seat. Subtle curls of hair fall around her face and shoulders, lending the sculpture a sense of breath and movement from head to toe.
Encircling the goddess is an elaborate prabhavali, conceived as an architectural tapestry of auspicious symbols. Kirtimukha, makara, and yali motifs rise in rhythmic harmony, framing her within a sacred enclosure that amplifies her presence as the beginning and abode of all fortune.
One leg descends gently, offering refuge to the devotee, while still retaining a poised lightness. Together, form, ornament, and setting create a complete and resonant image of Sri Lakshmi, animated with the vitality and grace that define the finest bronze tradition.
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