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6" Tsongkhapa Copper Statue from Nepal | Buddhist Deity Idols

$1035.75
$1381
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Tsongkhapa, commonly referred to as "The Man from Onion Valley”, was born in Amdo. He emerged as a renowned Tibetan Buddhist teacher, instrumental in shaping the Gelug school of Tibetan Buddhism. His ordained name, Losang Drakpa, and the title "Je Rinpoche" are synonymous with his legacy. In Chinese, he is recognized as Zongkapa Lobsang Zhaba.

 

In his depiction, Tsongkhapa holds a lotus in his right hand, symbolizing purity, while a sword and book grace his left, representing wisdom. His posture captures the Dharmachakra mudra, signifying the initiation of the "Wheel of Dharma," conveying his pivotal role in spreading Buddhist teachings.

Specifications
CAA106
Copper With Gold
Height: 6 inch
Width: 4.5 inch
Depth: 3 inch
Weight 1 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

An Icon of Wisdom and Renunciation

This exquisite statue depicts Je Tsongkhapa, the revered founder of the Gelug school of Tibetan Buddhism. Crafted from copper and finished with a rich layer of gold, this deity idol embodies the profound teachings and spiritual legacy of the great master. Tsongkhapa, born in the 14th century in the Amdo region of Tibet, was a pivotal figure in Buddhist philosophy and practice. His scholarship, asceticism, and extensive writings revitalized Buddhism in Tibet, influencing generations of practitioners and scholars. He is often depicted with a monastic cap, symbolizing his adherence to the Vinaya (monastic discipline), and is renowned for his emphasis on scholarly debate and rigorous meditation.

Symbolism and Artistic Craftsmanship

The statue captures Tsongkhapa in a seated posture, his hands clasped in front of his chest in the gesture of spiritual debate or teaching, known as the *Vitarka Mudra*. This gesture symbolizes the transmission of wisdom and the exposition of Dharma. His serene expression and focused gaze convey deep contemplation and unwavering dedication to the spiritual path. Flanking him are two lotus blossoms, rendered with intricate detail. The lotus, a universal symbol of purity, enlightenment, and spiritual awakening, grows from muddy waters but blooms pristine above the surface, mirroring the Buddha's ability to transcend worldly defilements and attain enlightenment. The golden hue of the statue, further enhanced by its meticulous gold finish, signifies purity, divinity, and the radiant nature of enlightenment. The elaborate robes, adorned with finely chased patterns, speak to the opulence of spiritual accomplishment and the rich tradition from which this representation originates. The lotus pedestal upon which Tsongkhapa sits is also a common iconographic element, grounding the spiritual figure in the earthly realm while simultaneously pointing towards the celestial.

A Legacy of Learning and Devotion

Je Tsongkhapa's influence extended far beyond his own lifetime. He is credited with establishing the monastic universities of Ganden, Sera, and Drepung, which became renowned centers of Buddhist learning and continue to be influential to this day. His monastic reforms emphasized discipline and scholarship, laying the groundwork for the monastic institutions that would become a hallmark of Tibetan Buddhism. He is also revered for his philosophical contributions, particularly his detailed commentaries on the Mahayana sutras and tantras. In Tibetan lore, it is said that when Tsongkhapa was born, the room was filled with a white light, and he began to speak immediately, proclaiming the Dharma. His birth was seen as a sign of great spiritual merit. This statue, a testament to his enduring presence, serves as a focal point for devotion, meditation, and the contemplation of wisdom and compassion. Its presence can inspire practitioners to cultivate their own understanding and practice of the Buddha's teachings, honoring the legacy of one of Buddhism's most influential figures.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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