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8" Buddhist Goddess Green Tara Sculpture from Nepal | Nepalese Copper Statue

$431.25
$575
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Tara is undeniably one of the most influential female deities within the Buddhist pantheon. Her name, which means "star" in Sanskrit, embodies her role as a guide for followers, much like a guiding star on their spiritual journey. In artistic representations, Tara is often depicted seated gracefully on a lotus throne, striking a pose that is both regal and compassionate. This pose, referred to as the Maharajalirasana, "pose of royal ease," involves sitting in the lotus position with the right leg either hanging down over the edge of the lotus or bent with the knee up and the foot flat on the ground.

 

However, in Tara's depictions, her right foot is usually positioned on a smaller lotus, symbolizing her readiness to spring into action should her devotees require her assistance. Tara is often associated with the blue or night lotus, a flower known for releasing its fragrance with the arrival of the moon.

Specifications
MIS625
Copper with Gold Plated
Height: 8.5 inch
Width: 7 inch
Depth: 3 inch
Weight 1.50 kg
Delivery and Return Policies
Ships in 1-3 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Embodiment of Compassion and Action

This exquisite sculpture depicts the revered Green Tara, a celestial bodhisattva of compassion and action, who embodies the active aspect of divine feminine energy. Originating from the sacred land of Nepal, this statue is a testament to the rich artistic heritage and profound spiritual traditions of the region. Crafted with meticulous attention to detail from copper and adorned with a lustrous gold plating, the sculpture radiates an aura of divine grace and serenity. ––––––––––––––––––––

Green Tara: A Beacon of Hope

In Buddhist mythology, Green Tara is a prominent figure, revered as a swift protector and a source of boundless compassion. She is said to have emerged from a tear of compassion shed by the Bodhisattva Avalokiteshvara. Her green complexion symbolizes her active, compassionate nature, always ready to spring into action to aid sentient beings in their struggles. She is often depicted seated in a relaxed, yogic posture, with one leg extended, signifying her readiness to descend and assist. Her left hand, held in a gesture of refuge, cradles a lotus flower, symbolizing purity and enlightenment. The right hand, extended downwards, rests on her knee in a gesture of generosity and boon-granting, offering solace and protection to all who seek her aid. ––––––––––––––––––––

Artistry from the Himalayas

This magnificent statue is a product of the renowned artistry of Nepalese craftsmen. Their generations-old techniques, passed down through skilled artisans, are evident in every curve and contour of this piece. The use of copper as the base material lends durability and a sense of groundedness to the sculpture, while the opulent gold plating imparts a celestial glow, signifying the divine essence of Green Tara. The intricate detailing on her crown, jewelry, and traditional attire reflects the profound aesthetic sensibilities and spiritual devotion embedded in Nepalese art. Each element is carefully rendered to capture the serene yet powerful presence of the goddess, inviting contemplation and inner peace. This piece serves not only as a devotional object but also as a magnificent work of art that brings the spiritual essence of the Himalayas into your sacred space.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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