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9" Tibetan Buddhist Deity Chenrezig Copper Statue from Nepal

$558
$744
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Chenrezig, the embodiment of compassion and purity, holds a sacred place among Buddhist deities. Despite being fully enlightened, he chooses to remain on Earth to aid its inhabitants. With his two front hands clasped in devotion at his heart adorned with jewels, he carries a crystal akshamala or rosary in his upper right hand, symbolizing the endless cycle.

 

In his left hand, he cradles a lotus, representing liberation from suffering and the journey to enlightenment. Draped in silk attire, he sits in the meditative posture, atop a row of lotus petals, offering solace and compassion to all beings.

Specifications
MIS677
COPPER WITH GOLD
9.00 inch Height X 7.00 inch Width X 5.00 inch Depth
Weight 1.70 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Infinite Compassion

This exquisite copper statue, meticulously gilded with gold, brings the benevolent presence of Chenrezig, the Bodhisattva of Compassion, to your sacred space. Originating from Nepal, a land steeped in spiritual tradition, this artwork is more than just a decorative object; it is a conduit to divine mercy and a reminder of the boundless love that permeates the universe. Chenrezig, also known as Avalokiteshvara in Sanskrit, is revered as the embodiment of all Buddhas' compassion. Legends tell of his vow to liberate all sentient beings from suffering, and his eyes are said to be so filled with compassion that when he looked upon humanity, a lotus flower bloomed from each tear of empathy.

Artistry and Symbolism

Crafted from high-quality copper and adorned with a lustrous gold finish, this statue showcases the masterful artistry of Nepalese artisans. The deity is depicted seated in a meditative posture, radiating serenity and grace. His serene countenance, with half-closed eyes that seem to gaze into the depths of wisdom and empathy, invites contemplation and inner peace. The intricate details of his royal adornments – the crown, necklaces, and armlets – speak to his enlightened status and the opulence of the spiritual realm. In his hands, he holds symbolic objects that further deepen his significance. The gesture of his main hands, clasped in anjali mudra, signifies reverence and union. The delicate sculpting and the subtle use of black paint in areas like his hair and undergarments add depth and dimension, making the statue a visual testament to devotion and skill. The lotus base upon which he rests is a powerful symbol of purity and enlightenment, signifying that even amidst the mud of worldly existence, purity and spiritual awakening are possible.

A Connection to Ancient Wisdom

Chenrezig is a central figure in Tibetan Buddhism, a protector and guide for all who seek solace and spiritual growth. His mantra, "Om Mani Padme Hum," is one of the most recited mantras in Buddhism, believed to embody the essence of his compassion. Each syllable is said to purify negative karma and cultivate positive qualities. Having a statue of Chenrezig in your home or meditation space serves as a constant reminder to cultivate compassion for oneself and others, to approach life's challenges with equanimity, and to strive for the liberation of all beings. This statue, with its rich spiritual heritage and stunning aesthetic, offers a tangible connection to this ancient wisdom and the profound power of divine compassion.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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